Voice Gramophone
February 6th, 2009
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Voice Gramophone
What is the name/Artist of the song being played in British clubs at the moment ?
It has a part with a female voice that sounds like its being played off of a war time gramophone or wireless
That would be "Why Don't You" by Gramaphone(d)zie.
Mikhaela
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Rare His Masters Voice Gramophone Tin free shipping worldwide |  |
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HIS MASTER'S VOICE HIV GRAMOPHONE NEEDLE LITHO TIN BOX FULL NEEDLES SOFT TONE | |
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Gramophone Record - "His Masters Voice" B5553 | |
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His Master's Voice Gramophone Phonograph - The Gramophone Company - REPRODUCTION | |
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VICTOR GRAMOPHONE-HIS MASTERS VOICE OCTAGON PHONOGRAPH-PLAYS RCA RECORDS PLAYER | |
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Young Woman Recording Voice, Using Gramophone $24.99 Young Woman Recording Voice, Using Gramophone - Photographic Print |
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Gramophone $24.99 Gramophone - Photographic Print |
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An His Master's Voice Monarch Gramophone, with Oak Case and Fluted Oak Horn, circa 1911 $34.99 An His Master's Voice Monarch Gramophone, with Oak Case and Fluted Oak Horn, circa 1911 - Giclee Print |
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Le Gramophone $59.99 Louis Bombled Le Gramophone - Wall Decal |
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Drumming
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Mahler I: Complete Recordings on Deutsche Grammophon
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Antique Replica RCA Victor Phonograph Gramophone with Dark Aged Bronze Horn
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His Masters Voice / Gramophone #103 (1925)
Shamshad Begum: The Forgotten Singer
Early Life: One of eight children of Hussein baksh and ghulam fatima,the grand senior of indian playback singing-Shamshad Begum was brought up in a traditional amritsar family.she made a mark in music much earliar to Lata Mangeshkar and Suriaya.
'passion has long life'the singer proved it right with fortunes of support in family and in laws gramophone at amritsar house encouraged her singing credentials.those were the days ,time passed sitting near the unique instrument repeating lines enthusiasticallyt.revisng songs and marsias based afuture prodigal singing star in shmshad.the talent didn't went unnoticed.atrue art lover chacha noticed her skils with support of encouragement.passionate skills made shamshadji an identifying voice of masses.then achild only her voice struck symphonyof impression.
At 13 uncle guided her Ginophone studios,at studio the relatively new but different vioce became instant Hit,punjabi song ‘hath jod' offered and recorded.an album content the punjabi number earned grat name for adolescent Shamshad riding on huge response Ginophone offerd shamshad 200 songs in single year.
Ghulam Haider-Renowned musicain Ghulam haider, regular artist of GINOPHONE mentored shamshad ji to singing sensetion.shamshad begum became a regular vioce of Lahore Studios. At 15 in 1939 she enterd into marital knot with Barrister Ganpatlal
Break in films-shamshad begum's first break as playback Singer was-Yamla Jaat (1940)/punjabi films Yamla Jaat and Chaudhari(1941) were filmdom signatures of singer.
Lahore based Khazanchi(1941) is shamshad begum's Hindi debut .A Panchali Arts production with Ghulam Haider musical score,Khazanchi made to box-office with numbers-sawan ke nazare,mann dheere dheere rona,ek kali nazon se pali.four to five films followed Khazanchi,incredible Playback with quality music made these films a HIT. 1n 1943 ace director Mehboob called shamshad to Pune to voice –daroga ji kaun kasur par for his film Takdir(1943),Poona(Pune)visit cementd Shamshad begum's filmy safar.
1947 partition:Khazanchi crew DM Pancholi,actress R amola and Shamshad begum shifted their base to Bombay.at Bombay shamshad ji saw suraiya and sensational Lata Mangeshkar.SD burman identified Folk Potentila in siner and offerd shmashad begum to sing folk touch numbers for his film –Shabnam- ‘bajre ke khet me pehli baar mulaqat and ‘tui mahal me rahne wali main kutiyon me.
Naushad: shamshad begum made to Naushad as fortunate substitute for Johrabai Ambalewali.He gave her achance to sing for Dilip Kumar-Nargis starrer-Mela.milestone in indian cinema,the film was major success.numners like-‘dharti ko aakash pukare and ‘mohan ki muralia baje sun thes jia pe lage' are signposts of singer's contribution to film.for reson unknown Naushad those days kept Lata mangeshlkar at bay.he went for other vioces.Shmashad begum,Johrabai Ambalewali and Uma devi Tuntun/Uma devi were his choices.Mehboob's Anokhi Ada relesed with no Lata Mangeshkar.Uma Devi and shamshad begum were main playback for the film—‘aaj kahan nazr takrayee' ‘nazar mil gayee kiski nazar se' are memorabl shamshad begum numbres from Anokhi Ada..
Naushad innovated shamshad voice as contrast to Lata M nageshkar.film ‘deedar' marked the beginning of trend—‘bachpan k din bhul na dena-duet from film had shmashad bregum as MALE voice.for Naushad shamshad begm became anecessity.a Place for shamshad numere in many Nuashad musical scores confirms the fact.London based Naushad library has –chandni na ke aayee payar o sajna. ‘chaman me rehkar virana mera dil(deedar) and ‘chod baabul ka ghar (baabul) with ace Nauashad sketch a different picture for singer.Itis true shamshad begum did most of her numbers with Naushad and OP naiyar.playback for twenty three Op naiyar musical scores suggest a point that singer worked mostly with Naushad and Opnaiyar saheb. Opnaiyar musical scores has no Lata mangeshkar.shamshad begum and ASHA bhonsle were priorities-‘kabhi aar kabhi paar laga teere nazar' (aar paar) ‘bujh mera kya naam re' and ‘kahin pe nighahen kahin pe nisana' (CID) Are remarkable shamshad begum numbers with the magician.
Make shift playback-shamashad begum hasintersting statistics of sometime male and other time:male disguised as female character singing.she did Playback for Lootera(Dara singh) and Kismat(Viswajeet) ‘patli kamar nazuk umar' (Lootera1965) ‘kajra mohabbat wala ‘(Kismat 1968) is reference point to this fact.musician C RAMACHNDRAN carried the Naushad move of assignining shamshad as contrast to Lata Mangeshkar musician called her for—Samadhi and Patanga.—‘gore gore banke chhore' ‘mere piy agaye hain rangoon' are top numbers of singer in contrast to Lata Mangeshkar ‘Chali pi ke ghar ab kahe ka darr ‘ (mirza Ghalib) is signature shmashad
Triumvirate: Literaure-Music-acting witnessed evolution of triumvirate trend.Literature—Jayshankar prasad, Suryakant nirala, Sumitranandan pant acting: Raj kapoor, Dilip kumar, Dev anand, Music/singing: mohd Rafi, Mukesh, Talat mehmood (male palyback singers). Similarly Lata mangeshkar, shamshad begum and Geeta dutt were lead playback (female) singers.
ISOLATED Emotions-Traditional apprences ,camps polarization and rising politics made singer disappeared silently.one time lead singer,shamshad begum was reduced to situational characters and Quwalli chorus –‘teri mehfil me kismat azma(mughal-e-azam) ‘holi aayee re kanhai rang bahr de' and ‘gadiwali gadi dheere hank re'(mother india) ‘sarma k pardanasin(chaudvin ka chand) speak up the sory for reticent living singer.
Musicians who earned shamshad begum name later abandoned professional relations with singer.1970's mark a clear dip in her playback appearnces.shamshad begum slowly went unnoticed.she remained industry isolated for three decades.she was forced to live an isolated life.Naushad, Madan Mohan, Shankar Jaikisan, Opnaiyar erased her from their list.in between years any information on the legendary singer did'd reached any Media, It is to be noted here that Shamshad begum is not dead !
Memorable Songs: Having sung more than 5000 songs in five different languages with famous music directors, composers like S.D Burman, Naushad, O.P Nayyar, Shyam Sunder, Madan Mohan, C. Rama Chandra, Hansaraj Behl, Sardul Kwatra .Most of Shamsad begum numbers touched chord with listeners. Songs like O, Lagi Lagi (Aaan), Teri Mehfil Main Kismat Azma kar Hum Bhi Dekhange (Mughal-E-Azam), Holi Aayi Re Kanhai (Mother India) for Naushad and Kabhi Aar, Kabhi Paar (Aar Paar), Poochh Mera Kya Naam Re, Nadi Kinare Gaon Re (CID) for Naiyar sb made Shamshad popular. songs like Saiyan Dil main Aana Re, Aake Chhup Na Jana Re (Bahaar - S D Burman), Ai Dil Na Mujhe Yaad Dila (Saawan Aaya - Khemchand Prakash) and Kaahe Koyal Shor Machaye (Aag - Ram Ganguly) cemented shamshad begum's reputation.
Kajra mohabbat wala,Mere Piyaa Gaye Rangoon,Kahin pe nigaahe, kahin pe nisana, Maine Dekhi Jag Ki Reet, Boojh Mera Kya Naam Re, Gore Gore Mukhade Pe, Maine Dekhi Jag Ki Reet, Mohabbat Karne Waalon Ka, Aye Mere Majboor Dil, Gham Ka Fasaana Kis Ko Sunaye, Dukh Bhare Din Beetey, Duniya Ka Maza Le Lo, Leke pehla pehla pyaar jadu nagri se, Udan Khatole Pe Ud Jaaun, Hello Hello Gentleman, Main Bhanwara Tu Hai Phool and Mohan Ki Muraaliyaan Baaje are other noteable songs for Shamshad begum.
At 90, the senior doyen of Indian playback singing found communication with fans again.She is one of proud reciepient of awards like Padmabhusan and Phalke golden singer,Shamshad begum lives at powai society-mumbai.
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