Used Bss Fds
June 15th, 2008
 |
No items matching your keywords were found.
|
No items matching your keywords were found.
Used Bss Fds
|
No items matching your keywords were found.
|
No items matching your keywords were found.
|
No items matching your keywords were found.
|
No items matching your keywords were found.
|
|
Used Bss Dpr-402 (8) 2 Chnl Comp/Desr/Lmtr @460 $590 In Store Used USED BSS DPR-402 (8) 2 CHNL COMP/DESR/LMTR @460 |
|
|
FDS Feminine Deodorant Spray $5.19 FDS Feminine Deodorant Spray |
|
|
Used Bss Audio Fds-366T Omnidrive Compact Plus Loudspeaker Management System $2866.49 The BSS Audio FDS-366T Omnidrive Compact Plus Loudspeaker Management System is the one loudspeaker management system that really satisfies all your system requirements, and it just got even better! It includes the first pro audio implementation of WHISEWORKS - NTM* filter technology, which means that you can take your loudspeakers closer to their operating bandwidths without fear of over-excursion. One FDS-366 can drive a true stereo 3-way system, or 3 bi-amp outputs for monitors. Add more units and MIDI slave linking to make stereo 4, 5 and even 6-way systems. Other applications are also covered, such as zoning to six discrete areas using full range or band-restricted outputs. As a mono sum of all three inputs is available, the FDS-366 will find favor with LCR post-production monitoring systems where a mono sub output is required. A stereo AES/EBU digital input also means that the FDS-366 is an ideal product for studio monitoring applications. BSS has incorporated the very latest digital technology and DSP algorithms to provide the Compact Plus with truly astonishing audio performance. The latest generation of 24-bit converters with carefully engineered support electronics provides a dynamic range in excess of 112dB (unweighted) without employing 'massaging' techniques that could have side effects. Using a 96kHz sample rate further enhances the sonic performance of the FDS-366. The advantages of this higher rate mean a more natural and open sound thanks to a 40kHz bandwidth and improved filter responses that are possible with the higher Nyquist frequency. BSS Audio pioneered the use of dynamic equalization on the DPR-901, a tool well known to engineers the world over. Essentially a way of compressing selected frequencies when the signal reaches a preset threshold, adding dynamic EQ to every input and output on the FDS-366 provides the engineer with a way to control some of the non-linearities in drivers (such as 2" horns) and room resonances. Two new facilities, the Alignment Assistant and Dynamic EQ, help to reduce setup time and enhance creativity. The effects of non-identical delays between loudspeaker drivers in cabinets, and between cabinets are well known. The FDS-366's Alignment Assistant makes the calculation and implementation of driver delay settings quick and automatic. A microphone input directly measures and corrects for driver and cabinet displacement and also takes into account inherent phase shifts present in these and other system elements. 3 inputs and 6 outputs for maximum flexibility in one rack space NTM filters give even better system performance Hi-Spec 24-bit converters give a dynamic range in excess of 112dB 96kHz Sample rate Stereo Digital Input (44.1/48/88.2/96kHz AES) as well as three analog inputs DSP algorithms for absolute phase-matching Alignment Assistant takes care of your driver delay settings, automatically. Dynamic Equalisation on every input and output Freely assignable EQ filters - put EQ where y |
|
|
BSS Audio AR-133 Active DI Box $179.99 The AR-133 Active DI Box from BSS Audio uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars. Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources. An additional bonus is the ability to use the AR-133 as an active balancing device. Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout. The arched case allows cables to run back underneath the unit from the end for neat cable management. Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems. The BSS AR-133 includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use. This unit is housed in a rugged aluminum extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look. Switchable input attenuation 0dB for guitar-type pickups -20dB for line level signals -40dB for speaker feeds Matches the level and impedance with unity gain without loading the source Can drive signals up long cable lengths Powered from console phantom power or internal battery Automatic switchover to battery if phantom power fails Parallel Link Jack output to feed amplifiers directly Parallel XLR input for converting unbalanced outputs to balanced lines |
|
|
Bss Audio Ar-133 Active Di Box $179.99 The AR-133 Active DI Box from BSS Audio uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars. Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources. An additional bonus is the ability to use the AR-133 as an active balancing device. Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout. The arched case allows cables to run back underneath the unit from the end for neat cable management. Input attenuation is 0, -20 or -40dB, making the box suitable for instrument, line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems. The BSS AR-133 includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use. This unit is housed in a rugged aluminum extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look. Switchable input attenuation 0dB for guitar-type pickups -20dB for line level signals -40dB for speaker feeds Matches the level and impedance with unity gain without loading the source Can drive signals up long cable lengths Powered from console phantom power or internal battery Automatic switchover to battery if phantom power fails Parallel Link Jack output to feed amplifiers directly Parallel XLR input for converting unbalanced outputs to balanced lines |
|
|
BSS Audio Opal FCS-966 Graphic Equalizer $919.99 BSS Audio provides the Opal FCS-966 Constant Q Graphic Equalizer with separate LF and HF contour filters that can change an overall sound balance without disturbing a detailed room or loudspeaker response. Graphic equalizers are found in just about every sound application, from room contouring to feedback control and general audio sweetening. With the Opal Constant Q you're able to make greater use of the faders at each end of the scale for precision EQ work in a wider range of settings. These filters are very musical gentle boost and cut shelving filters that can be used to add (or remove) room effects that change with temperature, audience numbers or humidity. All these effects can be easily made without disturbing the critical fader settings already made. Constant Q Filters The modern generation of graphic EQs uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting. Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting EQ curve more closely resembles the actual fader positions. More Gain Control Per Filter Each EQ fader has +/-15dB of adjustable gain, more than many competitive graphic EQs. The faders are long-throw 45mm types for precision control. High-Pass Filter Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals (e.g. from vocal-only wedges). Metering BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment LED meter shows output level and warns of signal clipping within the EQ. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalized signals using the gain control. Center Bypass When any EQ fader is in it's center detent position the filter is automatically bypassed for optimum performance. Input/Outputs All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, there are three different interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals. Relay Bypass The EQ IN buttons switch the EQ path into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors. Control Descriptions Faders - 30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive center detent on 45mm long-throw precision faders HP Filter - Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz LF Contour - Smooth shelving filter, +/-6dB of gain at 50Hz HF Contour - Smooth shelving filter, +/-6dB of gain at 14kHz GAIN - Use |
|
|
Bss Audio Opal Fcs-966 Graphic Equalizer $919.99 BSS Audio provides the Opal FCS-966 Constant Q Graphic Equalizer with separate LF and HF contour filters that can change an overall sound balance without disturbing a detailed room or loudspeaker response. Graphic equalizers are found in just about every sound application, from room contouring to feedback control and general audio sweetening. With the Opal Constant Q you're able to make greater use of the faders at each end of the scale for precision EQ work in a wider range of settings. These filters are very musical gentle boost and cut shelving filters that can be used to add (or remove) room effects that change with temperature, audience numbers or humidity. All these effects can be easily made without disturbing the critical fader settings already made. Constant Q Filters The modern generation of graphic EQs uses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting. Compared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting EQ curve more closely resembles the actual fader positions. More Gain Control Per Filter Each EQ fader has +/-15dB of adjustable gain, more than many competitive graphic EQs. The faders are long-throw 45mm types for precision control. High-Pass Filter Also provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals (e.g. from vocal-only wedges). Metering BSS Audio believes in providing engineers with information, and the FCS-966's 8-segment LED meter shows output level and warns of signal clipping within the EQ. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalized signals using the gain control. Center Bypass When any EQ fader is in it's center detent position the filter is automatically bypassed for optimum performance. Input/Outputs All the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, there are three different interface connectors: XLR-type, 1/4" TRS jack and Phoenix/Combicon screw terminals. Relay Bypass The EQ IN buttons switch the EQ path into circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors. Control Descriptions Faders - 30 EQ filter faders on ISO centres, each with nominal +/-15dB of gain. Positive center detent on 45mm long-throw precision faders HP Filter - Sweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz LF Contour - Smooth shelving filter, +/-6dB of gain at 50Hz HF Contour - Smooth shelving filter, +/-6dB of gain at 14kHz GAIN - Use |
|
|
BSS Audio FCS-960 Graphic Equalizer $1499.99 BSS Audio FCS-960 Graphic Equalizer |
|
|
Bss Audio Fcs-960 Graphic Equalizer $1499.99 BSS Audio FCS-960 Graphic Equalizer |
|
|
Case of FDS Fds Feminine Extra Strength Deodorant Spray 2 oz $31.69 FDS works with your body to absorb moisture and neutralize odors throughout the day so you feel shower fresh anytime or anywhere. Clinically tested FDS spray is proven safe and gentle enough for everyday use. |
|
|
Galaxy Audio SM-BSS $69.99 Galaxy Audio SM-BSS Features: 4.72" x 4.9" x 1.57" 2.65 lbs Zinc die-cast On/off switch & LED indicator Accepts XLR Gooseneck microphone XLR Output Get Your Galaxy Audio SM-BSS Today! |
|
|
Aiptek Fidelity Instant Theater Docking Station Clock Radio FDS-C $9.79 Aiptek Fidelity Instant Theater Docking Station Clock Radio FDS-C |
|
|
Gator G-SLNG-DLX-BSS $79.99 Gator G-SLNG-DLX-BSS Gator G-SLNG-DLX-BSS Deluxe Bass Slinger Bag Description: Gator G-SLNG-DLX-BSS Deluxe Padded Bass Slinger Gig Bag with Plush Interior Sling your guitar on your back and prepare yourself for a comfortable ride both for your shoulders and the guitar. This is a revolutionary design for guitar gig bags. They are constructed from rugged 600 denier ballistic material with foam padding. A waist strap adds more back support for the guitar carrier. Leatherette with exterior accessory pockets and extra padding. This guitar bag is perfect for toting your favorite bass guitar. Body Height = 3.75" Body Lower Bout = 17.25" Middle Bout = 16" Upper Bout = 15.5" Overall Length = 49" Get Your Gator G-SLNG-DLX-BSS Deluxe Bass Slinger Bag Today! |
|
|
BSS Audio FDS-366T Omnidrive Compact Plus Loudspeaker Management System $2866.49 BSS Audio FDS-366T Omnidrive Compact Plus Loudspeaker Management System |
|
|
Bss Audio Fds-366T Omnidrive Compact Plus Loudspeaker Management System $2866.49 BSS Audio FDS-366T Omnidrive Compact Plus Loudspeaker Management System |
| Account limit of 2104 requests per hour exceeded. |
I taste just like candy by Foxy Brown
Posted in 
Tags: