Turntables for Sale

Tonearm Turn

February 12th, 2008

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Tonearm Turn

Tonearm not advancing on record player?

I have a 1962 Telefunken turntable. When you turn it on, the tonearm will not automatically advance to the record. It actually tries, then moves back to the base. Then when I try to put it manually on the record, it will fight me and move back to the base and the turntable shuts off. After several tries, I am able to manually put the needle on the record. Any ideas what could be causing this?

Thanks!

Sounds like a problem with lubrication. On a turntable that old, the grease dries out and the parts start getting"sticky".

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Turn It On

$8.49

Turn It On

Turn On

$15.99

Turn On

Turn Turn Turn

$6.49

Turn Turn Turn

Turn

$22.99

Track Listing: 1. Early Bird, 2. Snitch, 3. Time Flies, 4. Turn, 5. Follow-Up Footstep, 6. Soft Spark, 7. Gato Samba, 8. Blues 4, 9. I'm Old-Fashioned, 10. Caliope, 11. Bag Rag

At The Turn

$24

In two astonishing years, professional golf was transformed forever. Formerly snubbed as an elite, white middle-aged rich man's game, golf has rocketed into the mainstream to become a multicultural, multibillion-dollar sport, with young hotshot athletes to win the hearts of networks and merchandisers everywhere. This is the true story of a game's seemingly miraculous transformation, a no-holds-barred, reporter's-eye view of pro golf, written by a true insider who rivals John Feinstein at his best.

Turn! Turn! Turn

$32.83

The early-1960s advent of the Beatles did more than change the face of rock music--it forced many folk musicians to rethink their careers, abandoning the gentle, mild-mannered protest songs they'd grown accustomed to performing throughout much of the preceding decade. These musicians' adaptations of the raucous new sounds quickly became a force unto themselves; lyrics, too, grew more strident, while retaining their socially conscious core. Folk-rock, as the new genre became known, was fertile ground for rock musicians seeking a more expressive means of communication, and for folk musicians looking to add something a little grittier to their art. TURN! TURN! TURN!, Richie Unterberger's well-researched chronicle of the genre, explores the early inklings of change as experienced by such musicians as John Sebastian, Gene Clark, and David Crosby, examining seminal events like the riotous reception given Bob Dylan's use of electric instruments at the Newport Folk Festival, the 1960s folk-rock boom, and the rise of singer-songwriters like Judy Collins and Tim Hardin. Featuring extensive interviews with some of the movement's most significant artists, TURN! TURN! TURN! is a comprehensive overview of this important crossroads in rock history.

Stanton Belt-Drive DJ Turntable - Black

$149.99

This belt-drive turntable features a straight tonearm for improved tracking and scratching.

Turn! Turn! Turn! [LP]

$51.98

The Byrds: David Crosby (guitar, vocals); Jim McGuinn (12-string guitar, vocals); Chris Hillman (bass, vocals); Michael Clarke (drums); Gene Clark (tambourine, vocals).Reissue producer: Bob Irwin.Recorded between June 28, 1965 and November 1, 1965.Includes original release notes by Derek Taylor and new liner notes by David Fricke and Johnny Rogan.All songs have been digitally remastered using a 20-Bit Super Mapping system.More of a companion piece than a follow-up to their debut, TURN! TURN! TURN! established The Byrds' place in the puzzle that was American rock & roll in the mid-'60s, but not for reasons commonly attributed to it. On the one hand, this was another batch of songs furthering the California folk-rock boom. "Turn! Turn! Turn!," the band's second (and final) number one single, was Pete Seeger's musical interpretation of proverbs from the Book Of Ecclesiastes; "Oh Susannah" was a 19th century minstrels' tune; "He Was A Friend Of Mine" was a folk standard; and, as was a norm for the early Byrds, there were a couple of Bob Dylan songs.Yet the application of The Byrds' sound to these long-known songs gave each of them a new, wholly different life. "He Was A Friend Of Mine" included additional Roger McGuinn lyrics that allude to John F. Kennedy's assassination, turning a mournful standard into a personalized declaration. "Oh! Susannah" was updated at a break-neck rock & roll tempo. The title track became a snapshot, evoking the turbulent '60s as much as it did the Bible. In short, this album depicted The Byrds as an early work in progress, already capable of defying the public's perception of their artistry, and stretching further with every note.