Tascam's 202mkV dual cassette deck is the only choice for professional studios, houses of worship and other installations needing reliable cassette performance. The two twin-head decks can be used for recording or playback, and Dolby noise reduction is provided (types B and HX Pro). The 202mkV can be used as a normal or high-speed dubber, and even sync reverse dubbing is provided.
The Tascam 202MKV dual cassette deck is the only choice for professional studios, houses of worship and other installations needing reliable cassette performance. The two twin-head decks can be used for recording or playback, and Dolby noise reduction is provided (types B and HX Pro). The 202mkV can be used as a normal or high-speed dubber, and even sync reverse dubbing is provided. New on the mark V model are a return to zero feature and A-B repeat, which can playback a section of tape up to 20 times. Deck 1 still has ±12% pitch control, and a front panel microphone input is available for convenient recording. Rely on TASCAM's 202mkV for consistant cassette recording you can mount in any rack. Tascam 202MKV Dual Cassette Features New: Return to Zero New: A-B Repeat (20 times) Continuous Play +/-12% Pitch Control on Deck 1 Power on Play and Record Continuous Recording Both Decks Record for Simultaneous Masters Normal and Hi speed dubbing Sync Reverse Dubbing Dolby NR B type and HX PRO Front Mic input with level control 3U Rack mountable Tape type: normal, chrome and metal (play only)
The Tascam 202MKV dual cassette deck is the only choice for professional studios, houses of worship and other installations needing reliable cassette performance. The two twin-head decks can be used for recording or playback, and Dolby noise reduction is provided (types B and HX Pro). The 202mkV can be used as a normal or high-speed dubber, and even sync reverse dubbing is provided. New on the mark V model are a return to zero feature and A-B repeat, which can playback a section of tape up to 20 times. Deck 1 still has ±12% pitch control, and a front panel microphone input is available for convenient recording. Rely on TASCAM's 202mkV for consistant cassette recording you can mount in any rack. Tascam 202MKV Dual Cassette Features New: Return to Zero New: A-B Repeat (20 times) Continuous Play +/-12% Pitch Control on Deck 1 Power on Play and Record Continuous Recording Both Decks Record for Simultaneous Masters Normal and Hi speed dubbing Sync Reverse Dubbing Dolby NR B type and HX PRO Front Mic input with level control 3U Rack mountable Tape type: normal, chrome and metal (play only)
The Tascam CC222SLmkII CD and cassette deck now supports a more robust slot loading CD transport with adjustable pitch control. The CC222SLmkII includes a RIAA phono input which allows direct recording from a turntable; a feature which sets the CC222SLmkII above all the rest. Further solidifying the CC222SLmkII reputation for flexibility is its ability to be operated as two individual recorders; or, record one source to both recorders consecutively. It features digital I/O (coaxial and optical) for the CD and a set of RCA (unbalanced) analog ins and outs. The user can configure the ins and outs as two individual components or share the same I/O for both CD and cassette. The CD recorder includes popular features such as Auto Track Increment, MP3 playback, Power on Play, Fade In and Out, Manual Track Increment, and a variety of playback modes. Support for dual media has made the CC222 series a mainstay in houses of worship, schools, theaters and other installations. Only Tascam combination players and recorders deliver quality and reliability that consultants demand. Tascam CC222mkII CD and Cassette Deck Features CDRW Recorder Slot loading transport Acceptable discs: CD-R, CD-RW, CD-R-DA, CD-RW-DA High Speed Recording Media is applicable MP3 playback 24 bit AD/DA converter Digital input volume control Sampling rate converter (32kHz/ 44.1kHz / 48kHz) Unbalanced analog I/O (RCA) COAXIAL and Optical digital I/O (CD) Fade in and out Auto Track Increment (via SPDIF or Audio Level) Erase or Un-finalize of CD-RW discs Multiple playback modes Pitch control (±12.5%, CD-DA only) Key control (±6 half tone, CD-DA only) Cassette +- 10% Pitch Control Return to Zero Function Dolby B Noise Reduction Auto Reverse General RIAA Phono Input for recording onto CD-R/RW discs or cassette tape Independent Output for CD and Cassette (selectable) Continuous Play between Cassette & CD Cassette to CD-R/RW dubbing and vice versa Headphone Output with Level Control RC-222 Wireless Remote Included Dedicated analog input level controls Power-on play
The TASCAM CD-A500 Rackmount CD/Cassette Player combines the 2 most popular consumer audio formats into an attractive package that delivers functionality and value. Now the process of duplicating entire CDs or individual tracks to cassette can be handled in one convenient, easy-to-use system. Playback can be continuous from deck to deck in either direction, making this unit invaluable in longplay systems. Features include 3U rack design, RCA unbalanced outputs common for both decks, RCA unbalanced outputs dedicated to the CD player, ñ12% pitch adjustment on cassette deck, and CD sync. Includes full TASCAM warranty and wireless remote.3U rack designRCA unbalanced outputs common for both decksRCA unbalanced outputs dedicated to the CD playerñ12% pitch adjustment on cassette deckCD syncContinuous play between cassette and CD in both directionsIncludes wireless remote
The TASCAM CD-A500 Rackmount CD/Cassette Player combines the 2 most popular consumer audio formats into an attractive package that delivers functionality and value. Now the process of duplicating entire CDs or individual tracks to cassette can be handled in one convenient, easy-to-use system. Playback can be continuous from deck to deck in either direction, making this unit invaluable in longplay systems. Features include 3U rack design, RCA unbalanced outputs common for both decks, RCA unbalanced outputs dedicated to the CD player, ñ12% pitch adjustment on cassette deck, and CD sync. Includes full TASCAM warranty and wireless remote.3U rack designRCA unbalanced outputs common for both decksRCA unbalanced outputs dedicated to the CD playerñ12% pitch adjustment on cassette deckCD syncContinuous play between cassette and CD in both directionsIncludes wireless remote
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Jimi Hendrix and How to Play his Material your way
How can you play Jimi's material yet put your own spin on it. Most Blues and Rock players copy Hendrix material lick for lick, and note for note.Then if they get it down they think they're just killin' it!
Think again!
I've had many conversations with fellow Canadian Guitar Player writer, and bluesman Dee Curtis. We talked about Detroit blues artists who play his material like a bastard but don't do it in a way that says--ORIGINAL.
First of all don't use a white Fender and Marshall Stack thinking that will turn the tide to playing Hendrix material like a freight train. Also,don't string and tune your guitar like he did either.
Nor do you need stomps and effects pedals.
In the last hour before I started writing this piece, I was looking at how to videos on playing Hendrix tracks. All of it,I mean all of it focused on copying his material and playing tunes like "Hey Joe", "All Along The Watch Tower" and "Purple Bloody Haze".Be an original even when picking out Jimi's material.If Jimi were here he'd be pissed and bored that you picked those tunes to play at Blues jams,Gigs and Practices--all the while playing it note or note.
Look at some of his more obscure material"One Rainy Wish" which is one of my favorite Hendrix tunes. As well he has some purely instrumental material which I have on cassette tape. Some other material was with the Isley Brothers when Hendrix was a sideman, as well as with Little Richard.Just go on line and pick something out and learn it until you can play it your way. Learn one Hendrix tune play part of the song and change up some of the chords and notes. You may have to go over the parts more than once to to change a Hendrix tune and play it your way.
You could take some tracks from The Band Of Gypsies tracks with Jimi and Bass axeman Billy Cox. Just record the bass and lead guitar parts and change up these parts and if you have very creative drummer and bass player in your band, they'll be able to change up their parts of Hendrix material.
There is a good way or device to record your original Hendrix tunes.Tascam has a portable digital recorder called GT--R1 to record guitar and bass parts. You can also slow down the playing of a track to learn and play along as well as recording to a different device.
http:www.tascam.com
The Tascam GT--R1 is a great unit for learning set lists and recording. You can make instant MP3's you can transfer to your band website for your fans to listen to. The Tascam is an incredible unit to use in combination with an Analog device, which is a Tascam 4 track tape deck to get more of a late 60's early 70's warmth and feel for Hendrix material.
You can pick up a Tascam 4 track on E-Bay and get a good deal.
Using both analog and digital will help you learn new material and play and record your way,not be a copier.This way you don't have to use any Hendrix equipment like Fender and Marshall.
To be more creative I would suggest using the Tascam 4 track. Too many players learn and play material using digital units and effects, which ruin Hendrix material and having any original artistic integrity.
Learn and play Hendrix material your way, not Jimi's. Jimi would be proud if you played it your way, not his.
Peace and Success to all Players.
Mark G
About the Author
My name is Mark Grove and I write how to articles with guitar and gear tips,music business posts and artist profiles and interviews