Stage PreAmp
March 28th, 2009
 |
 |
YAQIN MS-22B Tube Phono Stage pre amplifier turntable PUS |  |
 |
US $175.00 | 11d 6h 36m |
 |
Pro-Ject Tube Box MK II Phono Stage - Valve MM/MC Phono Cartridge Pre-amplifier | |
16 Bids | US $167.29 | 18h 36m |
 |
Audio-Technica AT-PEQ3 MM phono preamp stage NEW Stereophile recommended | |
0 Bid | US $74.95 | 23h 56m |
 |
Conrad Johnson Sonographe SC26 Line Stage Preamp | |
4 Bids | US $475.00 | 1d 13h 2m |
 |
YAQIN MS-12B Stereo Tube Preamplifier and Phono Stage | |
|
US $249.00 | 4d 14h 5m |
 |
CONRAD JOHNSON PF-2 STEREO LINE STAGE PREAMPLIFIER PREAMP | |
3 Bids | US $355.00 | 2d 2h 8m |
 |
Marantz 3200 pre amp amplifier turntable stage unique speaker hookups | |
|
US $229.00 | 29d 18h 51m |
 |
NVA P90sa Passive Pre-amp with Built in Phono Stage | |
|
US $1,235.17 | 29d 18h 8m |
 |
PHONO PREAMPLIFIER DYNAVECTOR PHA-200 - MC PHONO STAGE - PHONO HEAD AMPLIFIER | |
|
US $4,999.00 | 27d 10h 1m |
 |
Jadis DP 60 Pre amp Separate Power Supply Beautiful Phono stage MM/MC France | |
|
US $2,930.32 | 22d 19h 37m |
| Powered by phpBay Pro |
|
No items matching your keywords were found.
Stage PreAmp
Will this amp be enough power to run my 2 subs?
I have 2 KICKER CVT10 CVT SHALLOW MOUNT SUB WOOFERS 2-OHM with 400 watts RMS and 800 watts max. i have 2 total of those and i was wondering if a 2008 SONY XM-1S CAR CLASS-D MONO SUB AMPLIFIER 900W would be enough power....by the way im putting it in a 2008 f150 so
there is not much room which is why i got that amp.
these are the specs on the amp
Mono subwoofer car amplifier
Slim series
290 watts RMS x 1 at 4 ohms
500 watts RMS x 1 at 2 ohms
Variable bass boost
Class D amplifier design
Switchable subsonic filter
Preamp inputs and outputs
Low pass crossover
Speaker level inputs
MOSFET power supply and output stage
CEA-2006 compliant
My first instinct would be to tell you to look elsewhere. Not due to any brand reason.
The only real reason to look for another amp is because of the fact that your subs are 2 ohms, single voice coil. That forces you to wire them at either a 1 or 4 ohm final load. Unfortunately that amp isn't stable at one ohm. leaving you with a 4 ohm load.
That being said. Keep in mind that the wattage rating isn't a hard and fast figure to stick to. There is actually a very wide range of choices. If you were to power those subs at their rated wattage and keep the stock system up front. You would have a very unbalanced sound. Without the head room in the front a sub system will overpower the front stage.
Over all. That amp being of decent quality and being CEA rated will do a pretty good job of powering those subs.
If you're looking to max them out though. I would look for an amp that is rated at 700-800 watts at one ohm.
|
|
YAQIN MS-22B Tube Phono Stage pre amplifier turntable PUS | |
|
US $175.00 | 11d 6h 36m |
|
Pro-Ject Tube Box MK II Phono Stage - Valve MM/MC Phono Cartridge Pre-amplifier | |
16 Bids | US $167.29 | 18h 36m |
|
Audio-Technica AT-PEQ3 MM phono preamp stage NEW Stereophile recommended | |
0 Bid | US $74.95 | 23h 56m |
|
Conrad Johnson Sonographe SC26 Line Stage Preamp | |
4 Bids | US $475.00 | 1d 13h 2m |
|
YAQIN MS-12B Stereo Tube Preamplifier and Phono Stage | |
|
US $249.00 | 4d 14h 5m |
|
CONRAD JOHNSON PF-2 STEREO LINE STAGE PREAMPLIFIER PREAMP | |
3 Bids | US $355.00 | 2d 2h 8m |
|
Marantz 3200 pre amp amplifier turntable stage unique speaker hookups | |
|
US $229.00 | 29d 18h 51m |
|
NVA P90sa Passive Pre-amp with Built in Phono Stage | |
|
US $1,235.17 | 29d 18h 8m |
|
PHONO PREAMPLIFIER DYNAVECTOR PHA-200 - MC PHONO STAGE - PHONO HEAD AMPLIFIER | |
|
US $4,999.00 | 27d 10h 1m |
|
Jadis DP 60 Pre amp Separate Power Supply Beautiful Phono stage MM/MC France | |
|
US $2,930.32 | 22d 19h 37m |
 |
Audible Illusions Modulus 2 Tube Pre-Amp w/Phono Stage Vintage Working NICE 3 | |
19 Bids | US $205.50 | 2d 15h 11m |
 |
Salience Class A HiFi Audiophiles LP2.0MKII Phono Preamplifier, Phono Stage | |
|
US $499.00 | 19d 16h 36m |
 |
YAQIN MS-22B MM RIAA Phono Stage PreAmplifier Brand New | |
|
US $199.00 | 19d 13h |
 |
Audio Research PH2 Phono Preamplifier Phono Stage - Excellent | |
|
US $1,790.00 | 19d 9h 59m |
 |
Hafler DH-101 Preamplifier PHONO STAGE Upgrade Kit | |
|
US $39.75 | 19d 4h 28m |
 |
Krell KRS-2 LINE-STAGE Preamplifier Excellent Condition - Manual- | |
|
US $1,899.00 | 18d 7h 10m |
 |
YS Audio Balanced P1M balanced tube phono stage preamp | |
|
US $1,000.00 | 18d 2h 26m |
 |
Hafler DH-100 Preamplifier LINE STAGE and POWER SUPPLY Upgrade Kit | |
|
US $29.75 | 17d 20h 38m |
 |
Hafler DH-110 Preamplifier PHONO STAGE Upgrade Kit | |
|
US $39.75 | 17d 16h 23m |
 |
Audio Experience Concerto Ver2 Tubes Phono Stage Preamp | |
|
US $450.00 | 16d 5h 39m |
| Powered by phpBay Pro |
|
No items matching your keywords were found.
|
No items matching your keywords were found.
|
No items matching your keywords were found.
|
|
Mullard 12AX7 Preamp Tube $19.99 The Mullard 12AX7 Preamp Tube delivers a large sound stage with excellent detail. Factory selected for low noise and minimum microphonics. |
|
|
Mullard 12Ax7 Preamp Tube $19.99 The Mullard 12AX7 Preamp Tube delivers a large sound stage with excellent detail. Factory selected for low noise and minimum microphonics. |
|
|
PreSonus TubePRE Microphone Preamp $71.89 The PreSonus TubePRE Microphone Preamp lets you add character to your signal by varying the amount of gain and tube drive. A 12AX7 tube in this single-channel mic preamp fattens your signal while dual-servo gain stages let you simultaneously output to your amp and console. Sterling specs include 10Hz-80kHz frequency response, a 94dB noise floor, and >90dB S/N ratio. Capacitor-free circuitry and wide dynamic control give you a big boost without noise. Includes 48V phantom power, phase reverse, 20dB pad, and 80Hz rumble filter. A large VU meter with a cool blue backlight keeps you informed. Balanced/unbalanced and XLR I/O give the PreSonus TubePRE flexibility. Great as a studio direct box.12AX7 and dual-servo gain stagesCapacitor-free gain stage for maximum fidelity and low noiseXLR mic and high-Z instrument inputs on back panelXLR (balanced) and 1/4" (unbalanced) outputs on back panelSupports dual output of signal10Hz-80kHz frequency response>90dB S/N ratio94dB noise floorVariable gain and tube driveGain: 3dB to +48dBTube drive: 0dB to +20dB48V phantom power-20dB pad and polarity reverse80Hz rumble filterLarge VU meter with blue backlightExternal wallmount power transformerRackmountable with optional adapter |
|
|
UltraSound Ultra PDI Preamp DI $129 The UltraSound Ultra PDI Preamp DI is a great direct box and a full-featured preamp. The Ultra PDI lets you dial in clear, natural sound. Routes to a stage PA from a balanced XLR output. A parallel 1/4" out sends signal to your stage amp. The effects loop features a 1/4" send and return rather than a TRS system requiring a Y cord. Tone controls include active bass and treble EQ, mid-dip shape control, and a notch filter. Operates on 48V phantom power or battery (not included). |
|
|
Ultrasound Ultra Pdi Preamp Di $129 The UltraSound Ultra PDI Preamp DI is a great direct box and a full-featured preamp. The Ultra PDI lets you dial in clear, natural sound. Routes to a stage PA from a balanced XLR output. A parallel 1/4" out sends signal to your stage amp. The effects loop features a 1/4" send and return rather than a TRS system requiring a Y cord. Tone controls include active bass and treble EQ, mid-dip shape control, and a notch filter. Operates on 48V phantom power or battery (not included).Full-featured preamp and DI box Bulletproof metal housing Input gain control to allow proper setting for the great variety of acoustic pickup outputs Balanced XLR output for routing signal to PA system Parallel 1/4" out for sending signal to stage amp Both stage and PA outputs have their own level controls Parallel input jack allows a tuner to be plugged in in-ine without degradation of signal Effects loop 48V phantom power capability Active bass and treble EQ Mid-dip shape control permits removal of honky mids Notch filter permits dialing out problem feedback Combination of controls allows any acoustic player to dial in a natural, useable sound at amplified volumes |
|
|
Eden WP-100 Navigator Bass Preamp $699.99 The exciting Eden WP-100 Navigator Bass Preamp features a tube input stage, compressor with variable threshold and rate controls, tube character control, enhance control, and Eden's famous semi-parametric EQ. The WP-100 Bass Preamp also features D.I. output control on the front of the unit, a mono pre-EQ loop, stereo post-EQ, side-chain loop with front panel blend pot, variable crossover, stereo LED ouptut meters, tuner out, stereo and mono XLR ouptuts, and a defeatable limiter. Eden duplicates front-panel controls for compressor defeat, enhance, mute-to-tune, and turbo boost on a footswitch with lighted indicators that you connect to the WP-100 Navigator Bass Preamp via a standard MIDI cable.Tube input stage Compressor with variable threshold and rate controls Tube character control Enhance control Semi-parametric EQ DI output control on the front of the unit Mono pre-EQ loop, Stereo post-EQ Side-chain loop with front panel blend pot Variable crossover Stereo LED output meters Tuner out Stereo and mono XLR ouptuts Defeatable limiter Footswitch control for compressor defeat, enhance, mute-to-tune, and turbo boost 17"W x 3.5"H x 12"D |
|
|
Eden Wp-100 Navigator Bass Preamp $699.99 The exciting Eden WP-100 Navigator Bass Preamp features a tube input stage, compressor with variable threshold and rate controls, tube character control, enhance control, and Eden's famous semi-parametric EQ. The WP-100 Bass Preamp also features D.I. output control on the front of the unit, a mono pre-EQ loop, stereo post-EQ, side-chain loop with front panel blend pot, variable crossover, stereo LED ouptut meters, tuner out, stereo and mono XLR ouptuts, and a defeatable limiter. Eden duplicates front-panel controls for compressor defeat, enhance, mute-to-tune, and turbo boost on a footswitch with lighted indicators that you connect to the WP-100 Navigator Bass Preamp via a standard MIDI cable.Tube input stage Compressor with variable threshold and rate controls Tube character control Enhance control Semi-parametric EQ DI output control on the front of the unit Mono pre-EQ loop, Stereo post-EQ Side-chain loop with front panel blend pot Variable crossover Stereo LED output meters Tuner out Stereo and mono XLR ouptuts Defeatable limiter Footswitch control for compressor defeat, enhance, mute-to-tune, and turbo boost 17"W x 3.5"H x 12"D |
|
|
Blue ROBBIE Tube Microphone Preamp $799 Elegance and simplicity are the driving forces behind Blue's design philosophy, and the ROBBIE tube premap is no exception. This Class-A discrete tube microphone and instrument preamp features the same technical build quality and commitment to excellence for which Blue is known. Yields excellent detail with extremely low noise and ultrahigh gain. The warm, robust tube gain stage is the perfect enhancement for condenser microphones. Frequency response is 10Hz to 100kHz, ±2dB. |
|
|
BBE BMAX Bass Guitar Preamp $299.97 The BMAX is a high quality bass preamp/processor for the recording studio and on the stage. At the heart of the BMAX is a class A/B front-end, the input of which emulates the loading effect that the input of classic-design tube preamp would present to the bass pickups, and one of the key aspects in the warmth and punch of tube preamps. The BMAX also provides a pure and clean electronically-balanced DI output. From its 1/4' thick extruded front panel to thoughfully designed ergonomics to the red-abalone-topped knobs, the fit and finish of the BMAX exudes quality craftsmanship. Features The BMAX is perfect anywhere an extremely high-quality, pristine preamplifier is required for the bass guitar In the recording studio where a bass amplifier is impractical due to space or loudness considerations In performance applications, where players will find the BMAX ergonomics intuitive and easy to use The BMAX EQ and Dynamic controls, combined with the patented Sonic Maximizer processor, afford a wide palette of tonal choices |
|
|
Behringer MIC800 Microphone Modeling Preamp $43.99 Tubes can really warm up a signal fast, giving it depth and character. Thanks to digital VTC technology, the MIC800 emulates the tube warmth of a variety of tube mic preamps, all in one feather-light package. Behringer MIC800 Microphone Modeling Preamp Features Ultra-compact 9.5 in. microphone modeling preamp for studio and stage applications High-end preamplifier for all microphone, instrument and line-level sources. Perfectly complements studio-grade condenser mics Ultra-flexible Preamp Modeling allows you to quickly optimize your recordings Choose between 16 preamp voicings designed for electric and acoustic guitars, keyboards, bass guitars, drums, vocals, etc. Authentic VTC Tube Modeling technology creates the warmth of vacuum tubes Equipped with BEHRINGER's sophisticated output limiter-prevents the output signal from being distorted Dedicated Low Cut filter eliminates unwanted noise, e.g. floor rumble +48 V phantom power and 20 dB Pad for utmost flexibility Vintage-style VU meter for precise level indication High-quality potentiometers and illuminated switches for long-term reliability Ultra-low noise audio operational amplifiers offer outstanding sound performance All Mini Series models can be stacked on top of each other to create an ultra-compact signal processor solution High-quality components and exceptionally rugged construction ensure long life Conceived and designed by Behringer Germany Put Virtual Tube In Your Tone This ultra-compact 9.5 in. microphone modeling preamp gives your vocals, guitars, bass or keys low-noise tube-like warmth both in the studio and on stage. It perfectly complements studio-grade condenser mics, and its ultra-flexible Preamp Modeling allows you to quickly optimize your recordings. You can choose between 16 preamp voicings designed for electric and acoustic guitars, keyboards, bass guitars, drums, vocals, etc. The MIC800 is equipped with Behringer's sophisticated output limiter, which prevents the output signal from being distorted. A dedicated Low Cut filter eliminates unwanted noise such as floor rumble. Onboard +48 V phantom power and 20 dB Pad are provided for utmost flexibility, plus a vintage-style VU meter enables precise level indication. BEHRINGER's renowned ultra low-noise audio operational amplifiers provide outstanding sound performance. In addition, all Mini Series models can be stacked to create an ultra-compact signal processing solution. Vintage Sound, Modern Value The MIC800 delivers the sound quality of a vintage tube preamp at a mere fraction of what a true relic of the 1960s would cost. At a price this low, you owe it to yourself to find out where the unbelievably tube-like tone of the MIC800 can take your sound. |
|
|
PreSonus TubePRE Microphone Preamp 889406689008 $39.5 The PreSonus TubePRE Microphone Preamp lets you add character to your signal by varying the amount of gain and tube drive. A 12AX7 tube in this single-channel mic preamp fattens your signal while dual-servo gain stages let you simultaneously output to your amp and console. Sterling specs include 10Hz-80kHz frequency response, a 94dB noise floor, and >90dB S/N ratio. Capacitor-free circuitry and wide dynamic control give you a big boost without noise. Includes 48V phantom power, phase reverse, 20dB pad, and 80Hz rumble filter. A large VU meter with a cool blue backlight keeps you informed. Balanced/unbalanced and XLR I/O give the PreSonus TubePRE flexibility. Great as a studio direct box.12AX7 and dual-servo gain stagesCapacitor-free gain stage for maximum fidelity and low noiseXLR mic and high-Z instrument inputs on back panelXLR (balanced) and 1/4" (unbalanced) outputs on back panelSupports dual output of signal10Hz-80kHz frequency response>90dB S/N ratio94dB noise floorVariable gain and tube driveGain: 3dB to +48dBTube drive: 0dB to +20dB48V phantom power-20dB pad and polarity reverse80Hz rumble filterLarge VU meter with blue backlightExternal wallmount power transformerRackmountable with optional adapter |
|
|
PreSonus TubePRE Microphone Preamp 886830281624 $67.15 The PreSonus TubePRE Microphone Preamp lets you add character to your signal by varying the amount of gain and tube drive. A 12AX7 tube in this single-channel mic preamp fattens your signal while dual-servo gain stages let you simultaneously output to your amp and console. Sterling specs include 10Hz-80kHz frequency response, a 94dB noise floor, and >90dB S/N ratio. Capacitor-free circuitry and wide dynamic control give you a big boost without noise. Includes 48V phantom power, phase reverse, 20dB pad, and 80Hz rumble filter. A large VU meter with a cool blue backlight keeps you informed. Balanced/unbalanced and XLR I/O give the PreSonus TubePRE flexibility. Great as a studio direct box.12AX7 and dual-servo gain stagesCapacitor-free gain stage for maximum fidelity and low noiseXLR mic and high-Z instrument inputs on back panelXLR (balanced) and 1/4" (unbalanced) outputs on back panelSupports dual output of signal10Hz-80kHz frequency response>90dB S/N ratio94dB noise floorVariable gain and tube driveGain: 3dB to +48dBTube drive: 0dB to +20dB48V phantom power-20dB pad and polarity reverse80Hz rumble filterLarge VU meter with blue backlightExternal wallmount power transformerRackmountable with optional adapter |
|
|
Used Presonus Tubepre Microphone Preamp $71.89 The PreSonus TubePRE Microphone Preamp lets you add character to your signal by varying the amount of gain and tube drive. A 12AX7 tube in this single-channel mic preamp fattens your signal while dual-servo gain stages let you simultaneously output to your amp and console. Sterling specs include 10Hz-80kHz frequency response, a 94dB noise floor, and >90dB S/N ratio. Capacitor-free circuitry and wide dynamic control give you a big boost without noise. Includes 48V phantom power, phase reverse, 20dB pad, and 80Hz rumble filter. A large VU meter with a cool blue backlight keeps you informed. Balanced/unbalanced and XLR I/O give the PreSonus TubePRE flexibility. Great as a studio direct box.12AX7 and dual-servo gain stagesCapacitor-free gain stage for maximum fidelity and low noiseXLR mic and high-Z instrument inputs on back panelXLR (balanced) and 1/4" (unbalanced) outputs on back panelSupports dual output of signal10Hz-80kHz frequency response>90dB S/N ratio94dB noise floorVariable gain and tube driveGain: 3dB to +48dBTube drive: 0dB to +20dB48V phantom power-20dB pad and polarity reverse80Hz rumble filterLarge VU meter with blue backlightExternal wallmount power transformerRackmountable with optional adapter |
| Account limit of 2104 requests per hour exceeded. |
Nord Stage Compact + Speakeasy Preamp Demo
Is 100k Ohms too much for LM386 input stage?
I am currently building a small guitar amplifier with a sub-mini tube preamp stage feeding a LM386 for the amplifier stage. The sub-mini tube preamp output signal is approximately 100k ohms and I was wondering if this is appropriate for the input of the LM386.
The mini-amp is in essence very similiar in design to the well known Smokey Amp. I am only building a sub-mini tube pre-amp for it because I have the tubes lying around. I am not expecting to get high quality sound and my only wish is that it sound a little better then a stock Smokey design. This amp is being design solely as a novelty with the hope that I can use it to practice with while traveling.
no, the 386 has a typical input Z of about 50kΩ, so with a 100kΩ source impedance you will lose 2/3s of the signal. And the input will be at a high impedance and tend to pick up hum and noise.
If you are going to use an IC amp, using tubes for their supposed better sound quality is not too effective.
.
Posted in 
Tags: