Turntables for Sale

Real Time Scratch

I scratched my car by washing it without spraying off real well B4 hand, now there are swirls! what product..?

shouls i use to remove these swirl marks?? these swirly scrathces are especialy noticable later in the day when the sun shines directly on them and it sucks.. there was salt and dirt on the car and my hose is not on so i just threw buckets of wat er on it b4 i washed it (usually i go to a do it urself car wash and power spray it real good before i bucket wash it but not this time!..

ive just trried that mcguires scratch X and it makes it real shiney and removes some of the very small scratches but the swirls scratches are still noticeable, is there a better product to getr? i read on here ppl talkin about t cut but mostly negative things. am i stuck with having to get these buffed out?? id hate to do that because i know buffing messes up the paint what should i do please recommend a good scratch removing was that actually works! oh and the car is a BLACK civic shows it shows everything
yes, it is clear coated from the factory

wash again, use a clay bar, use a very mild polish, then use a sealer/glaze, apply two coats of wax and it should get rid of and cover up any wash induced swirls. Use Mothers.http://www.mothers.com/

Real Time $11.49 Real Time

Real Time Blues (Japan) $39.99 Real Time Blues (Japan)

SSL CD Serato Scratch Live Control CDs (Pkg 2) $10 The Serato Scratch Live Control CD set replaces the CDs included with the Scratch Live software. The CDs establish real-time control over audio in the software's play-list.

In Real Time [Digipak] $13.99 Track Listing: 1. In Real Time #1, 2. In Real Time #2, 3. In Real Time #3, 4. In Real Time #4, 5. In Real Time #5, 6. In Real Time #6 - (previously unreleased)

Rane SL2 Interface for Serato Scratch $499 The Rane SL 2 gives you the freedom to take your entire digital music collection on the road with advanced features that add extra creativity to your DJing. This intuitive system replicates the traditional DJing experience for "real feel" usability. Low latency means the response time from touching the decks to hearing an audio signal is extremely fast. Serato engineers developed system level audio drivers that allow accurate and reliable operation at faster speeds than any other similar package.The Rane SL 2 USB interface connects one or two standard vinyl or CD turntables to your computer using a single USB cable and audio connections to line inputs on your DJ mixer. Some of the advances in technology over the original SL1 you'll find in the SL2 include:CD / Phono input switch on the SL 2 boxSuperior sounding 24-bit convertersHotter 3 Vrms input and output44.1 or 48 kHz sample rate selected in softwareASIO / Core Audio drivers for 3rd-party supportSmaller and more compact die-cast designScratch Live SoftwareScratch Live supports all these file formats: Fixed and Variable Bit Rate MP3, AIFF, AAC, ALAC, WAV, OGG Vorbis, CD Audio and direct from the mixer. You can record direct from vinyl or CD and save as a 16-bit or 24-bit 48 kHz stereo file.Scratch Live lets you easily import your playlists and iTunes library. You can drag from Explorer (Windows) or the Finder (Mac) into the Scratch Live library. The crate and subcrate system helps organize your library and sets. Hot-swap external drives with fast automatic library merging and retention of crates. Browse your music collection by album, artist, BPM, or genre, with optional album art display. Intuitive search function can be applied to any field to find things quickly. Edit ID3 tags with full Unicode support.With Scratch Live, preprocessing of MP3 files is not required except to detect corrupt files or use the auto-BPM and auto-gain functions. Auto-BPM detects tempo information for tracks without it, saving it with each file. A tap tempo button allows you to enter your own. Auto-gain lets you set a target gain on any or all songs in your library. You can also manually adjust individual gain, remembered in each song file.The Virtual Deck shows everything about the speed and position of a track. As the vinyl rotates, so does the line on the label. The circular progress bar around the edge is a visual representation of the position within the song. The time and remaining time are displayed in minutes and seconds. The turntable speed as a percentage of pitch shift is on the left, and the pitched BPM is on the right.Different operating modes can be assigned to each Virtual Deck:Absolute Mode exact reproduction of record movement, needle drop through tracks just like normal vinyl. The beginning of the track is mapped to the start of the record.Relative Mode skip-free scratching, jump to cue points, and pitch bend buttons combined with turntable control. This mode observes the relative forward and ba

Rane Sl2 Interface For Serato Scratch $499 The Rane SL 2 gives you the freedom to take your entire digital music collection on the road with advanced features that add extra creativity to your DJing. This intuitive system replicates the traditional DJing experience for "real feel" usability. Low latency means the response time from touching the decks to hearing an audio signal is extremely fast. Serato engineers developed system level audio drivers that allow accurate and reliable operation at faster speeds than any other similar package.The Rane SL 2 USB interface connects one or two standard vinyl or CD turntables to your computer using a single USB cable and audio connections to line inputs on your DJ mixer. Some of the advances in technology over the original SL1 you'll find in the SL2 include:CD / Phono input switch on the SL 2 boxSuperior sounding 24-bit convertersHotter 3 Vrms input and output44.1 or 48 kHz sample rate selected in softwareASIO / Core Audio drivers for 3rd-party supportSmaller and more compact die-cast designScratch Live SoftwareScratch Live supports all these file formats: Fixed and Variable Bit Rate MP3, AIFF, AAC, ALAC, WAV, OGG Vorbis, CD Audio and direct from the mixer. You can record direct from vinyl or CD and save as a 16-bit or 24-bit 48 kHz stereo file.Scratch Live lets you easily import your playlists and iTunes library. You can drag from Explorer (Windows) or the Finder (Mac) into the Scratch Live library. The crate and subcrate system helps organize your library and sets. Hot-swap external drives with fast automatic library merging and retention of crates. Browse your music collection by album, artist, BPM, or genre, with optional album art display. Intuitive search function can be applied to any field to find things quickly. Edit ID3 tags with full Unicode support.With Scratch Live, preprocessing of MP3 files is not required except to detect corrupt files or use the auto-BPM and auto-gain functions. Auto-BPM detects tempo information for tracks without it, saving it with each file. A tap tempo button allows you to enter your own. Auto-gain lets you set a target gain on any or all songs in your library. You can also manually adjust individual gain, remembered in each song file.The Virtual Deck shows everything about the speed and position of a track. As the vinyl rotates, so does the line on the label. The circular progress bar around the edge is a visual representation of the position within the song. The time and remaining time are displayed in minutes and seconds. The turntable speed as a percentage of pitch shift is on the left, and the pitched BPM is on the right.Different operating modes can be assigned to each Virtual Deck:Absolute Mode exact reproduction of record movement, needle drop through tracks just like normal vinyl. The beginning of the track is mapped to the start of the record.Relative Mode skip-free scratching, jump to cue points, and pitch bend buttons combined with turntable control. This mode observes the relative forward and ba

No-Scratch Spray $10 No-Scratch Spray is a spray formulated to discourage cats from destructive behavior. It contains a blend of essential oils, with a mild odor that is pleasant to humans but obnoxious to feline smell . No-Scratch Spray is used to hep protect curtains, carpets and other furniture from clawing and scratching. Clawing and scratching are natural instincts for cats and kittens but that doesn’t mean your entire house has to become a scratching post. Apply No-Scratch Spray to protect areas that are off-limits to your pet. It won’t stain or damage your fabrics and furniture and one application can last for about a week. No-Scratch Spray is made with a low toxic, herbal formula. It may be used in conjunction with a scratching post - the real one, not your furniture. Manufactured by No Manufacturer Listed Available sizes Brand 125 mL - $10.00 Quantity: 1 Sizes: Brand 125 mL - $10.00

Real Time (Royal Festival Hall) $12.49 Real Time (Royal Festival Hall)

Scratch & Solve $12.24 This ingenious twist on the classic word game is a hit, with over 250,000 copies sold in just a few months! And these two brand-new entries will have movie lovers and sports fans playing anytime and anywhere!Word lovers can take the challenge any time they want with this clever, solitary version of hangman. It works much like a lottery ticket. Each page features one puzzle, and each puzzle has the 26 letters of the alphabet accompanied by silver circles to scratch off. Choose a letter, give it a rub, and see if it’s in the puzzle, and where. But watch out: six misses and you’re hanged!

Hercules DeeJay Trim + Scratch 4&6 DJ Audio Interface and Time Code Software $272.09 The DeeJay Trim and Scratch 4&6 is an interface with time-code DJ software that includes the Hercules DeeJay Trim 4&6 Audio Interface, Virtual DJ 6 LE Time Code software, 2 time-coded vinyl discs, and 2 time-coded CDs. This package is ideal for analog DJs who want to use their CD players and turntables to mix MP3 files, or for a computer-based DJ who wants to use their computer's music library when mixing on CD players and turntables.What is time-code DJing?Time-code DJing involves mixing audio files stored in a computer and controlling the playback with turntables or CD players. The process occurs when the DJ plays special time-coded discs on vinyl turntables or CD players whose output signal is digitized in real time by the audio interface. This signal tells the DJ mixing software where you are in the track and the speed of the playback so that the software can duplicate on MP3 files the actions the DJ performs on the time-coded discs.The advantages of time code DJing are:the DJ can use the same gears to mix computer audio files as CDs or vinyl discs with instant access to the computer audio library (meaning faster access than the time it takes to find and load vinyl discs or CDs)the increased accuracy of the vinyl turntable or the jog wheel of the CD player (the wider the wheel, the better the accuracy)and the ability to switch easily between computer audio files and vinyl discs or CDs.Hercules DeeJay Trim 4&6 Audio Interface:Line/phono level on the inputs and adjustable preamplifiersHeadphones output and microphone input with talk-over functionIntegrated USB hub4-in/4-out mode and 2-in/6-out modeVirtual DJ 6 LE Time Code + 2 time-coded vinyl discs and CDs:Ability to mix computer audio files while controlling the music files' playback with turntables or CD playersAbility to mix on an analog mixer or on a Hercules Professional DJ controller

Hercules DeeJay Trim + Scratch 4&6 DJ Audio Interface and Time Code Software 889406635166 $149.5 The DeeJay Trim and Scratch 4&6 is an interface with time-code DJ software that includes the Hercules DeeJay Trim 4&6 Audio Interface, Virtual DJ 6 LE Time Code software, 2 time-coded vinyl discs, and 2 time-coded CDs. This package is ideal for analog DJs who want to use their CD players and turntables to mix MP3 files, or for a computer-based DJ who wants to use their computer's music library when mixing on CD players and turntables.What is time-code DJing?Time-code DJing involves mixing audio files stored in a computer and controlling the playback with turntables or CD players. The process occurs when the DJ plays special time-coded discs on vinyl turntables or CD players whose output signal is digitized in real time by the audio interface. This signal tells the DJ mixing software where you are in the track and the speed of the playback so that the software can duplicate on MP3 files the actions the DJ performs on the time-coded discs.The advantages of time code DJing are:the DJ can use the same gears to mix computer audio files as CDs or vinyl discs with instant access to the computer audio library (meaning faster access than the time it takes to find and load vinyl discs or CDs)the increased accuracy of the vinyl turntable or the jog wheel of the CD player (the wider the wheel, the better the accuracy)and the ability to switch easily between computer audio files and vinyl discs or CDs.Hercules DeeJay Trim 4&6 Audio Interface:Line/phono level on the inputs and adjustable preamplifiersHeadphones output and microphone input with talk-over functionIntegrated USB hub4-in/4-out mode and 2-in/6-out modeVirtual DJ 6 LE Time Code + 2 time-coded vinyl discs and CDs:Ability to mix computer audio files while controlling the music files' playback with turntables or CD playersAbility to mix on an analog mixer or on a Hercules Professional DJ controller

Hercules DeeJay Trim + Scratch 4&6 DJ Audio Interface and Time Code Software 886830141867 $254.15 The DeeJay Trim and Scratch 4&6 is an interface with time-code DJ software that includes the Hercules DeeJay Trim 4&6 Audio Interface, Virtual DJ 6 LE Time Code software, 2 time-coded vinyl discs, and 2 time-coded CDs. This package is ideal for analog DJs who want to use their CD players and turntables to mix MP3 files, or for a computer-based DJ who wants to use their computer's music library when mixing on CD players and turntables.What is time-code DJing?Time-code DJing involves mixing audio files stored in a computer and controlling the playback with turntables or CD players. The process occurs when the DJ plays special time-coded discs on vinyl turntables or CD players whose output signal is digitized in real time by the audio interface. This signal tells the DJ mixing software where you are in the track and the speed of the playback so that the software can duplicate on MP3 files the actions the DJ performs on the time-coded discs.The advantages of time code DJing are:the DJ can use the same gears to mix computer audio files as CDs or vinyl discs with instant access to the computer audio library (meaning faster access than the time it takes to find and load vinyl discs or CDs)the increased accuracy of the vinyl turntable or the jog wheel of the CD player (the wider the wheel, the better the accuracy)and the ability to switch easily between computer audio files and vinyl discs or CDs.Hercules DeeJay Trim 4&6 Audio Interface:Line/phono level on the inputs and adjustable preamplifiersHeadphones output and microphone input with talk-over functionIntegrated USB hub4-in/4-out mode and 2-in/6-out modeVirtual DJ 6 LE Time Code + 2 time-coded vinyl discs and CDs:Ability to mix computer audio files while controlling the music files' playback with turntables or CD playersAbility to mix on an analog mixer or on a Hercules Professional DJ controller

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Wish I had Serato Scratch Live Or Native Instruments Traktor Scratch Pro

Would The Real Soul, Please, Stand! [Part 3]

 

v

Souls cannot think straight in the face of our ego’s gross matter – our energy field loaded by the energy released by the myriad of desires and weaknesses we indulge daily, monthly, yearly, even though we all manage to repress some, maybe even most.

There is a misconception that some souls can become dark and bad.

Souls are souls, divine energy, and so they remain, no matter what we get up to.

v

Every time we pay into the culture of our culture, we fail to be present.

Pleasurable pursuits such as retail therapy, sex and holidays are all good, harmless and legal, but they are all engineered to take us away from the moment, from our *present*. They are, after all, called escapes.

v

We taint the moment energetically by releasing *spikes* of energy, of adrenalin, each time we want to possess whatever object, person or moment because as well as the exciting high of the chase, such pursuits trigger irritation, anger, fear, resentment, disappointment and insecurities.

v

Even the rush to end-of-year sales triggers its spikes. However harmless they appear to our ego-persona, all add negative blots to our energy field - to the general karma that we actually need to edit out of our energy field.

v

Possessiveness is an indulgence that denotes emotional insecurity, whether what we are losing is a lover, a friend, a pet, an object, or a way of life.

v

Adult possessiveness is no different from the fear a child has of losing her teddy bear or that favorite hair band that cannot possibly be replaced, in her eyes, at least.

v

No action ever happens in isolation. Every action triggers a reaction. Always.

v

Moriya told me a Zen tale that has been around for a while:

A man stood on a hill. Three men were out walking and notice the man in the distance. They began to argue about the man's purpose in standing there.

One said, 'He has probably lost his dog.'

The second disagreed: 'No, he's probably out looking for a friend.'

The third said, 'He's only standing up there to enjoy the fresh air.'

The three could not agree and were still arguing by the time they approached the man himself.

The first man asked him, 'Tell me, have you lost your dog?'

'No, sir', was the reply. 'I have not lost him'.

Another asked, 'Have you lost your friend?'

‘No, sir, I have not lost my friend either.’

Finally, the third man asked, 'Are you here to enjoy the fresh air?'

'No, sir.'

One of the men finally blurted, 'Why, then, are you standing here for since you answer no to all our questions?'

The man said, 'I'm just standing'.

v

With any possession we clutch to our bosom, physically or figuratively, comes the fear of losing it. The two make a whole.

v

Because I accept that my moods, my anxiety, have twin corollaries imprinted in my energy field, even the buzz that I am feeling, as I type these words, is questionable.

If, as agreed, I am only my soul’s vehicle for this lifetime, then the thoughts lined up on these pages are all hers. I am only the keyboard operator.

As long as I recognize my little spike of excitement for what it is, I know I am aware.

v

No different, either, for A.A.s or Weight-Watchers: amendment, editing out of detrimental habits, begins only after a sincere wish to change has been formulated and is followed up by rigorous self-observation.

v

“Tov [OK, good, in Hebrew], C.C.,” said Moriya. “Here is a little humor for you to decode in a spiritual way because a little humor goes a long way towards helping understanding.

A man who was obese went to a doctor for advice.

The doctor said: ‘Look, I’ve just put together a new weight-loss plan that I think would suit you.’

The patient agreed trustingly, and the doctor led him to a very big hall and left him there, locking the door behind him.

Out of nowhere appeared a beautiful naked woman who smiled at the man. She said: ‘Catch me if you can, and I'll be yours!’ She trotted off and the large man ran after her, around and around until the doctor returned.

When the man climbed on the scales, it was clear that he had lost three kilos in two hours!

The doctor asked: ‘Are you mabsut [satisfied] with the result?’

‘Oh, yes,’ replied the big man. ‘Mabsut meod, Doctor. Very satisfied, indeed.’

-----

“On his way home, this man met a friend who was equally large. Proud of the three kilos he had lost in two hours, he recommended the doctor’s treatment, saying that, he, himself would be returning the following week.

And so, the friend also had his first session in the big hall. However, after the doctor had locked the door behind him, instead of the gorgeous naked woman he was anticipating, it was a huge man, a body-builder, who jogged towards him – totally naked.

"Hey, mister,” said the body-builder, shaping his fingers into a fist. “Start running now because -- if I catch you – you’re mine!"

The poor man ran with all his might to stay ahead of the naked man whom he thought was hot on his heels.

When the doctor returned and had the man weighed, he asked, ‘Are you mabsut with the result?’

The big man answered: ‘No, I’m not! Why is it my friend had a hot chick to run after but I had Hulk running for my buns?"

‘Tov, what do you expect,’ replied the doctor. ‘Your friend paid full-price for the treatment since he doesn’t have insurance cover.’

‘And so?’

‘And so, he gets the most enjoyable treatment. You, on the other hand, your paperwork, shows that you’ll be able to claim all of it back, so … it’s all free for you, so what are you complaining about?’

-------

Admittedly, though that little piece made me smile, I was like, “OK, but where’s the spiritual content here?”

So, here is Moriya’s deconstruction from a spiritual perspective.

“C.C., what we see in this story is that both men were very large and wanted to lose weight, yes? Symbolically, the extra weight the two men carry represents the emotional clutter that weighs them down. This clutter,

that weight, though they despise it, gives them the illusion of being insulated from the world. Their extra weight is a metaphor for hiding the self behind something as large as the Great Wall of China.

They went to the same doctor and both of them lost the same amount of weight.

Their decision to seek treatment means they agreed to get rid of their weight clutter and because they were ready to pay for it in one way or another, they expect results. Though the first man didn’t know what he was in for, but trusted the doctor, the second man clearly expected the experience to be wonderful – not too challenging, not too confronting, and totally enjoyable.

Why was one of them happy while the other one threatened to sue the doctor?

Because one had a most pleasant experience while the other one thought he had had a hellish one. But, really, C.C., you have to agree that it’s all very subjective, yes?

What if the second large man had been gay? Would he have objected so much being chased by the naked man?

Again, if the first large man in the story had also happened to be gay, would he have enjoyed having to run two hours non-stop after the naked woman, however gorgeous she was? Would he have run fast enough to lose three kilos in two hours? Would he even have bothered with it at all?

If we look at this from a spiritual point of view, the process the men underwent shouldn’t matter at all as, in the end, they both got what they paid for – a weight-loss program that worked. But, C.C., surely you can see how the whining ego-persona got in the way of the second man’s progress. You see, the second man wanted exactly what the first man had had, like a child who wants what his little friend has. When he didn’t get it, he became angry. Later, he will probably whine in self-pity, but what has happened is that the second man had a hidden agenda for joining the program. He had expectations; he would not be risking much of himself, not much out of his wallet, either. And though the program worked for him, the hidden lesson is that he needed to trust, to give more of himself, to be ready to dig deep inside himself and for the right reasons - not out of fear.

And so, what this joke tells us is that, when on the spiritual path, we get back exactly what we put in. I mean, the greater the open-hearted commitment, the greater the reward.

But also, C.C., the doctor’s behavior is not spiritual, either. You see, he made a difference between a client who paid full-price and the other one who would get a rebate. No matter how you look at it, this is separation. This is not universal love, which is about treating everyone equally and from the heart.”

“Groan,” I moaned, once Moriya had finished. “So much for a little light humor!”

v

It is true that, to some degree, ignorance is bliss. At the moment, I do not feel ignorant and I do not feel blissful. Now that I know what I know, I also know what I don’t know and I feel my practical work on the ground still sucks big time. And if I let this perception turn into frustration then, it will be the sure sign that I have dropped out of the present-moment, that I have let old thoughts intrude, that I am no longer flowing. Grumble, grumble.

v

While I was in the process of writing each of my novels, I would joke that I had a muse hovering above my left shoulder, as I sat at the keyboard.

How else would I have come up with seven novels in three years and the luminous or evocative language appreciated by readers that surprises even me – I, who had never thought of writing anything?

These days, I know I have a muse, and my muse is my soul.

v

The main stumbling blocks to my spiritual evolution are finite words, lazy thinking and the lack of awareness that my ego-persona leads me ‘by the nose,’ as easily as the farmer leads his cow by her nose ring. That - and my western education.

v

Imagine a maze of labyrinthine proportions. Imagine it white. Imagine darkness all around it. Now, half a meter into the maze, imagine a tiny white mouse.

This little mouse, nose a-twitchin’, scootles through and around a few sections until she hits a dead-end.

The little white mouse scoots back to the nearest opening and trots off, seemingly unperturbed, in another direction altogether. This mouse is actually quite a clever little mouse. There are some, you see, that would keep trying to get through the same passage way, again and again, so sure that the piece of cheese is right there, on the other side, but they get zapped again and again.

Back to our clever little mouse. Luck is on her side. With a clean run ahead, she puts a wriggle in her wiggle - she has things to do, places to see and she senses that the piece of yummy cheese is within her reach. Woohoo!

Oh, ouch! Just as she thought she had this nailed - ZAP!!! A little shock on the tip of her pink nose makes her whiskers twitch. She sits on her haunches, shakes her head a couple of times, scratches behind an ear and off she goes again, but in another direction altogether.

Like the ball in a pinball machine, totally random, bouncing off from stimuli to deterrents, the little mouse keeps going - the blind little mouse that she is.

She cannot guess which section of her labyrinth will take her on the long and happy run to the nice bit of cheese nor can she anticipate which turn will lead her to yet another dead-end or, worse, to the electric shock that zaps the tip of her nose.

After all, our clever little mouse is no more enlightened than all the others.

v

The way I see it, these days, the cause of our miseries is not so much the sequence of dead-ends inherent to the karmic maze we have been dropped into pre-birth, little mice that we are. I accept that the cause resides in our ego-persona that has learned, from the dawn of time, to follow her nose, her conditioned *lust* for life and her creature comforts which include, unlike all other creatures, her need to crave and hoard more than she needs, yet seldom feel she has enough – as well as a damning compulsion to sift the present through the tight mesh of her memory.

 

About the Author

By day, a teacher of Senior English and French in Brisbane, Australia, and, by night, first a writer of novels and now a writer of spiritual material, I am on a quest of sorts – I am searching for a connection to my soul, right here, right now. Admittedly, I have an ulterior motive – quite a strong one at that: I am trying to edit some karma out of my energy field by altering its properties. This, from me, who a couple of years ago thought about my soul as often as the molecular composition of my body, which was never.

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