PreAmp Silver Version
February 6th, 2010
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PreAmp Silver Version
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No items matching your keywords were found.
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Groove Tubes Silver Series ST-12AT7 Preamp Tube $11.95 Groove Tubes Silver Series ST-12AT7 Preamp Tube |
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Groove Tubes Silver Series ST-12AX7-R3 Preamp Tube $11.95 Groove Tubes Silver Series ST-12AX7-R3 Preamp Tube |
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Groove Tubes Silver Series ST-12AU7-C Preamp Tube $11.95 Groove Tubes Silver Series ST-12AU7-C Preamp Tube |
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Groove Tubes Silver Series ST-ECC83-S Preamp Tube $12.95 Groove Tubes Silver Series ST-ECC83-S Preamp Tube |
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Groove Tubes Silver Series ST-12AX7-R Preamp Tube $11.95 Groove Tubes Silver Series ST-12AX7-R Preamp Tube |
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Groove Tubes Silver Series St-Ecc83-S Preamp Tube $12.95 Groove Tubes Silver Series ST-ECC83-S Preamp Tube |
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Groove Tubes Silver Series St-12Ax7-R Preamp Tube $11.95 Groove Tubes Silver Series ST-12AX7-R Preamp Tube |
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Groove Tubes Silver Series St-12At7 Preamp Tube $11.95 Groove Tubes Silver Series ST-12AT7 Preamp Tube |
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Groove Tubes Silver Series St-12Ax7-R3 Preamp Tube $11.95 Groove Tubes Silver Series ST-12AX7-R3 Preamp Tube |
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Groove Tubes Silver Series St-12Au7-C Preamp Tube $11.95 Groove Tubes Silver Series ST-12AU7-C Preamp Tube |
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Presonus TubePre Version 2 Microphone Preamp $129.95 Like the original TubePre, the Presonus TubePre Version 2 Microphone Preamp is a fully professional tube preamp, with a dual-servo (no capacitors) gain stage that lets you boost the program signal to smoking hot levels without significantly increasing the background noise. Discrete components and high-voltage operation offer dynamic range and detail not found in other single-channel tube preamps in its class. The TubePre V2 provides an even wider palette of sound options and a much more focused tube saturation than the original TubePre. It has been upgraded to employ PreSonus' popular XMAX Class A solid-state preamp, which is followed in the signal path by a 12AX7 vacuum-tube stage. Twist the TubePre V2 Drive saturation control to add the color that only a hand-selected 12AX7 vacuum tube can deliver, from gentle warmth to total fuzz. Housed in a rugged case, the TubePre V2 rear panel sports separate unbalanced, 1/4 inch instrument and balanced, XLR mic inputs and unbalanced 1/4 inch and balanced XLR line outputs. We've included all of the extras you need for professional operation including a high-pass filter, phantom power for condenser mics, polarity reverse switch and a backlit VU meter. Thanks to the V2's separate instrument and mic inputs, it also serves as a dynamite direct box (DI) for guitars and basses. It's small enough to carry almost anywhere, although you also can screw-mount it to a standard rack tray. The Presonus TubePre Version 2 Microphone is more than a mic preamp, and with PreSonus, big sound doesn’t have to cost big bucks. Presonus TubePre Version 2 Microphone Preamp Features XMAX Class A preamp input stage 12AX7 dual-servo vacuum tube output stage Input Gain control 48V phantom power 80 Hz high-pass filter -20 dB pad Instrument input select Polarity-reverse switch Backlit VU meter Clip LED Input/Output 1 unbalanced 1/4 inch instrument input 1 balanced XLR mic input 1 unbalanced 1/4 inch line output 1 balanced XLR line output Physical Compact 1/3U rack-mount chassis External 12 VDC, 1A power supply |
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Presonus BlueTube DP Version 2 Microphone Preamp $229.95 Presonus has improved on the classic unit Blue Tube DP with the Presonus BlueTube DP Version 2 Microphone Preamp . The solid-state path now feeds PreSonus’ top-of-the-line Class A XMAX mic preamplifier with 80 dB of variable gain. The tube path features a 12AX7 tube that operates on voltages double that of other preamplifiers in its class, producing lots of headroom and big tone. The BlueTube DP V2 offers lower noise, more high-end clarity, and an even smoother tube sound than its predecessor. Presonus BlueTube DP Version 2 Microphone Preamp Features Dual path mic/instrument tube preamp 2 input channels, each with High-headroom Class A XMAX mic preamplifier with 80 dB gain range 12AX7 vacuum tube gain stage Tube Drive tube-saturation control 48V phantom power 80 Hz high-pass filter -20 dB pad to reduce hot input levels Polarity-reverse switch Illuminated analog VU input-level meter Input/Output: 2 balanced combo mic/unbalanced instrument inputs 2 balanced XLR main (L/R) line outputs 2 unbalanced 1/4 inch main (L/R) line outputs Compact 1/2U chassis External 12 VDC, 1A power supply With the the Presonus BlueTube DP V2 You still get all the secondary features you expect in a professional-grade preamp: 48V phantom power, an 80 Hz high-pass filter, -20 dB pad to control hot input signals, and a polarity-reverse switch. Each channel has an illuminated VU meter so you can visually monitor your input levels. The BlueTube DP V2 features a Tube Drive control that provides a wide range of sounds. When it’s clicked off, you’re using the solid-state preamp for quiet, transparent amplification. When it’s engaged, your signals flow through the tube preamp and you can achieve anything from gentle warmth to edgy distortion. With two combo mic/instrument inputs, the half-rackspace BlueTube DP V2 is a great choice for guitars and basses as well as for vocals. Singer-songwriters can run their vocal through one channel and their guitar through the other, feeding both to the P.A. It also serves as a DI box, thanks to balanced XLR and unbalanced 1/4 inch outputs, and is housed in a new, rugged, 1/2U case. Try the BlueTube DP v2 as a front end for a DAW, too. Few preamps give you both tube and solid-state operation. |
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Avalon V5 Microphone Preamp $1080 The Avalon V5 follows the tradition of the U5 DI box, which has been in continuous production since 1995 and is used by leading music professionals in both studio and live sound reinforcement applications.The Avalon V5 introduces a new generation of this tried and true idea, loaded with professional features including a low noise, high-gain, Pure Class A, microphone preamplifier, and a 10 mega ohm instrument DI input with zero impedance loading and a +36dB maximum input capability for active preamp-line sources like acoustic and electric guitars, bass, keyboards and synthesizers.A transformer-isolated reamping output offers multiple input-output configurations with all inputs available, including polarity reverse. Sealed silver relays provide transparent signal path routing while custom, ultra-high performance rotary switches deliver smooth gain control in accurate 2dB steps.A unique passive tone selector allows ten contours (six from the U5 tone bank) including two passive high pass filters and two vocal-instrument enhanced passive air-lift low frequency curves.Additional features include a passive low pass hiss & buzz filter, a wide range, professional analog VU meter with expanded scale -30dB to +18dB with twin peak LEDs for fast signal capture.The Avalon V5 has a truly unique feature set utilizing 100% discrete, DC coupled, Pure Class A amplifiers for Deep and Controlled Bass together with a Musical Midrange for enhanced Vocal and Instrument resolution. With reamping options, the passive TONESHAPING network and multiple output choices the Avalon V5 will continues Avalons passion and commitment to sonic excellence.Pure Class A, 100% discrete designSmooth musical detail and sonic excellenceVariable gain preamp to +30dB.Dual microphone and line outputsHi-Z 3,000,000 ohm input impedanceVery low noise -100dBHigh headroom +30dBSix tone bank selections.DC coupled Class A output for superior bassHigh cut switch eliminates noiseLED active signal indicatorHeadphone monitor output jackLow distortion less than 0.5% THD and IMDHigh level 400 watt speaker inputActive to thru selector - ground isolation switch100% discrete power supplies for audio pathInternal toroidal power supply for low noiseLong lasting, stainless steel hardware |
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A Designs Em-Gold Preamp Module $799.99 In recording, there are certain things that you can only know through years of experience, such as which preamp works best on vocals, which one rules on guitar, or what preamp to use if you have a dark-sounding instrument or mic that needs some brightening. With A Designs Audio's EM series preamps you can let the 60 years of combined experience and super tone-sensitive ears of Jon Erickson and Pete Montessi save you years trying eek secrets out of pro engineers and lurking on forums. Each preamp in the series is designed to handle specific recording chores with the remarkable sound quality that A Designs Audio is now famous for. (Read the buzz on the forums, you'll find nothing but raves.) Best of all, you get high-quality audio in a space-saving and affordable package. Custom transformers, the key to a big punchy sound The A-Designs Audio Erickson Montessi - Gold microphone preamp module is designed to complement the other A-Designs preamp modules and further expand the sonic palette with its own unique frequencies. In solid-state preamp design, the key to a big punchy sound rests in the input and output transformers. (That's where you get what is known as the "big iron" sound of the '70s). To ensure top-quality sound, A Designs has their transformers custom-built by Tom Reichenbach of Cine-Mag, whose lineage extends back the days when his father Ed built transformers for Altec-Lansing in the '40s. Not only are the transformer hand-made, they're also "ear-made" by Jon (who spent years rebuilding vintage gear for LA studios), and Peter (longtime LA musician and preamp guru), who won't okay a transformer design until they get exactly the sound they're looking for. With a rack full of EM series preamps, you can put those ears and 60 years of combined experience to work for you and bring your recordings to new sonic heights. Another color for the EM palette The EM-Gold combines the output transformer of the A-Designs EM-Silver, which will translate into a darker sound, and the input transformer of the A-Designs EM-Red, which gives you "up-front" mids. As a result, the EM-Gold brings more midrange frequencies to the lower end of the sonic spectrum, which makes it an excellent choice for drum miking (toms in particular). It also excels on various guitars (especially if you want that midrange "chunk" that moves the speakers), vocals, MP3/drum machines, and bass and if you've ever heard the A Designs REDDI, you know that nobody knows their way around bass tone better than A Designs Audio. Solid build quality and functionality The A-Designs EM-Gold features a 1/4-inch Hi-Z direct inject input for instruments, switches for 48-volt phantom power (with LED indicator), -20dB pad and phase reversal, 62dB of gain, a large aluminum cast knob for gain, custom-wound input and output transformers, two thumb screws for easy installation, and an extremely solid build quality. Most of all, the EM-Gold is another stellar example of the A Designs Audio miss |
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DBX 386 Tube Mic Preamp $499 DBX 386 Tube Mic Preamp Dual Vacuum Tube Preamp w/ Digital Output The Silver Series 386 dual channel tube mic preamp puts the best of both worlds into one affordable package by combining the warmth of the irreplaceable vacuum tube with the proprietary dbx® Type IV™ conversion system. The 386 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering; but also includes digital outputs in both AES/EBU, and S/PDIF formats. The high impedance, 1/4" instrument input located on the front panel, as well as the mic/line switch, and 20 dB pad show our dedication to providing convenience in the studio. The 12 segment LED meters provide a visual indication of analog or digital levels at a glance. The rear panel includes both mic and line inputs and outputs, word clock sync input and output, and digital outputs. Add selectable sampling rates of 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz; selectable dithering and noise shaping; and separate analog and digital output controls to this already impressive list of features, and we think you'll agree that the 386 lives up to the innovative dbx® standards. Features: Two channel tube microphone preamplifier Selectable 96kHz, 88.2kHz, 48kHz, or 44.1kHz sampling rate 24, 20, and 16-bit wordlengths Selectable dither and noise shaping AES/EBU and S/PDIF digital outputs Word clock sync input and output Separate analog and digital output control Type IV™ conversion system 60dB of gain and +/- 15dB of output gain Selectable mic/line switch 48 volt phantom power 20dB pad 75Hz low cut filter Phase reverse Segment LED analog/digital |
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Preamp - Broadband Preamp (Special Deal) $59.95 Preamp - Broadband Preamp (Special Deal) |
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Preamp - 440 MHz Preamp Kit $14.95 Preamp - 440 MHz Preamp Kit |
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TCC TC-716 6-Way Stereo Source Selector; BLACK VERSION
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TCC TC-750 BLACK Audiophile Phono Preamp, Pre-amp (Preamplifier)
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TCC TC-750LC BLACK Professional Moving Magnet Preamp
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A Designs EM Silver Preamp 500 Series Module @ FrontEndAudio.com
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