PreAmp Aux
January 27th, 2008
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Technolink TC-772 RIAA MM Phono Preamp with AUX Input and USB (Computer) Output |  |
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US $89.50 | 17d 12h 5m |
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Phono Preamp Preamplifier w Level Volume Control Aux IN | |
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US $44.95 | 25d 2h 41m |
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AUDIOCONNEXT TURNTABLE PHONO/AUX PRE AMPLIFIER/AMP | |
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US $41.53 | 8d 23m |
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Professional Preamp With Phono Microphone Aux Stereo Inputs + Volume Control | |
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US $77.00 | 15d 17h 45m |
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QUAD ELITE Inputs 3 x Aux / RCA / 1 x Tape / 1 x Phono MM Pre Amplifier | |
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US $1,412.99 | 7d 19h 30m |
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Technolink TC-770LC High Gain Phono/Mic/Aux Preamp | |
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US $87.50 | 7d 8h 8m |
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PreAmp Aux
Running an electric guitar pickup through a PA system?
I have an older Taylor 310 with the Fishman Prefix Plus system. I don't like the Piezo, but don't want to modify the guitar, or change the factory electonics in there currently. I play a regular weekly gig with the guitar plugged into a modulated effects chain, then into a house PA system.
I'd like to install Magnetic electric guitar pickup in the sound hole, and blend the signal with the piezo output. Can't find a definitive answer googling on how to accomplish this.
I dont think I can feed the pickup straight into the piezo preamp (the Fishman) as the impedances differ, so I'm thinking of blending the preamped piezo signal with the dry pickup output with a passive blend control. Unfortunaly, the Fishamn doesn't have an Aux In to attach an internal mic/pickup. Is a passive pickup hot enough to go straight into a PA without a preamp? If not, can a pedal such as a chorus work as a preamp? Is there a better homebrew solution I'm not thinking of?
Mutter - I have been a sound guy for 20 years including 5 years as the engineer for a classical guitar group. One of my pet peeves about musicians is that many of them don't believe in the "KISS principle" (keep it simple). I have had many occasions when a musician's overcomplicated setup has messed up the sound and made my job much harder.
Your guitar will probably sound great with only one pickup or the other (my preference is the mag pickup - great sound and much less feedback than the piezo). If you insist on using both, a good way to do this would be to send each output to a small mixer and then the output of the mixer would connect to the outboard effects. You could buy a nice small mixer for less than $100:
http://www.zzounds.com/item--BEHXENTX802
http://www.zzounds.com/item--MAC402VLZ3
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Technolink TC-772 RIAA MM Phono Preamp with AUX Input and USB (Computer) Output | |
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US $89.50 | 17d 12h 5m |
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Phono Preamp Preamplifier w Level Volume Control Aux IN | |
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US $44.95 | 25d 2h 41m |
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AUDIOCONNEXT TURNTABLE PHONO/AUX PRE AMPLIFIER/AMP | |
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US $41.53 | 8d 23m |
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Professional Preamp With Phono Microphone Aux Stereo Inputs + Volume Control | |
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US $77.00 | 15d 17h 45m |
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QUAD ELITE Inputs 3 x Aux / RCA / 1 x Tape / 1 x Phono MM Pre Amplifier | |
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US $1,412.99 | 7d 19h 30m |
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Technolink TC-770LC High Gain Phono/Mic/Aux Preamp | |
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US $87.50 | 7d 8h 8m |
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TCC TC-754 Phono Preamp w/ 3 AUX Inputs; BLACK VERSION | |
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US $73.50 | 24d 13h 9m |
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TCC TC-754 Phono Preamp w/ 3 AUX Inputs; SILVER FINISH | |
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US $73.50 | 24d 13h 15m |
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VocoPro DA-5800RX Karaoke Preamp with Reverb $253.89 The secret to truly professional-sounding vocals are DSP effects. With the DA-5800RX Karaoke Preamp from VocoPro, you can take your singing to the next level. It has a 24-bit, high-speed DSP digital chip with a 48KHz sampling rate and 55 internal effects, including several Hall, Delay, and Reverb, and Reverb + Echo styles, as well as Echo, Tremolo, Exciter, and more. Each of these effects has LPF adjustment for added control and customization for the voice. Some other features that help you optimize your sound are a Vocal tonal enhancer as well as the Sonic Enchancer. This 1 RU rackmountable preamp gives you tons of control, including microphone EQ controls for Bass, Mid level, Mid frequency, and Treble levels; individual master controls for Mic, Effects, and Music volume; Master input and output volume control; Subwoofer volume and frequency controls; and Low-Pass Filter control. The DA-5800RX processor also has and abundance of I/O, with 3 switchable L/R stereo inputs for DVD (RCA), AUX (RCA) and VOD (XLR); 3 microphone inputs (1/4"); 3 video inputs (RCA) for DVD, AUX, and VOD channels; 1 video output (RCA); unbalanced L/R XLR output and balanced L/R RCA audio pre-out; low output (RCA) for subwoofer; and center output (RCA) for vocal-only, with volume control. While there's no guarantee everyone singing will have the best voice, all of the VocoPro DA-5800RX Preamp's versatile features will help ensure the best performance possible. |
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Preamp - Broadband Preamp (Special Deal) $59.95 Preamp - Broadband Preamp (Special Deal) |
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Preamp - 440 MHz Preamp Kit $14.95 Preamp - 440 MHz Preamp Kit |
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Electro-Harmonix 12AY7 Tube Microphone Preamp 886830181436 $146.03 With the Electro-Harmonix 12AY7 Tube Microphone Preamp, Electro-Harmonix offers an affordable tube micrphone preamp that won't disappoint. Equipped with a 12AY7 EH tube and a 12AU7 EH driver, it gives microphones the widest dynamic range with the warmest possible tone and accuracy. The 12AY7 Mic Pre uses an actual 200V supply instead of the "faked out" 12 or 48 volts you'd get with common models and delivers 50dB of gain into a high impedance load or 40dB gain into 600 ohms. The 12AY7 Mic Preamp's special FET current-balancing circuit allows the tubes to amplify the microphone signal to line level while eliminating noise and protecting against hum and hostile electrical environments. It has an extra TRS output for separate line control, which can be used as a splitter or an aux send for monitoring. Input connections are balanced in and out (XLR) with a 1/4" TRS balanced buffer out. The Electro-Harmonix mic pre unit also boasts a phase reverse switch and a +4dBm indicator light for setting optimal mic level. The 48V phantom power is soft starting and pop-free. |
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Electro-Harmonix 12AY7 Tube Microphone Preamp 889406756632 $97.35 With the Electro-Harmonix 12AY7 Tube Microphone Preamp, Electro-Harmonix offers an affordable tube micrphone preamp that won't disappoint. Equipped with a 12AY7 EH tube and a 12AU7 EH driver, it gives microphones the widest dynamic range with the warmest possible tone and accuracy. The 12AY7 Mic Pre uses an actual 200V supply instead of the "faked out" 12 or 48 volts you'd get with common models and delivers 50dB of gain into a high impedance load or 40dB gain into 600 ohms. The 12AY7 Mic Preamp's special FET current-balancing circuit allows the tubes to amplify the microphone signal to line level while eliminating noise and protecting against hum and hostile electrical environments. It has an extra TRS output for separate line control, which can be used as a splitter or an aux send for monitoring. Input connections are balanced in and out (XLR) with a 1/4" TRS balanced buffer out. The Electro-Harmonix mic pre unit also boasts a phase reverse switch and a +4dBm indicator light for setting optimal mic level. The 48V phantom power is soft starting and pop-free. |
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Electro-Harmonix 12AY7 Tube Microphone Preamp $194.7 With the Electro-Harmonix 12AY7 Tube Microphone Preamp, Electro-Harmonix offers an affordable tube micrphone preamp that won't disappoint. Equipped with a 12AY7 EH tube and a 12AU7 EH driver, it gives microphones the widest dynamic range with the warmest possible tone and accuracy. The 12AY7 Mic Pre uses an actual 200V supply instead of the "faked out" 12 or 48 volts you'd get with common models and delivers 50dB of gain into a high impedance load or 40dB gain into 600 ohms. The 12AY7 Mic Preamp's special FET current-balancing circuit allows the tubes to amplify the microphone signal to line level while eliminating noise and protecting against hum and hostile electrical environments. It has an extra TRS output for separate line control, which can be used as a splitter or an aux send for monitoring. Input connections are balanced in and out (XLR) with a 1/4" TRS balanced buffer out. The Electro-Harmonix mic pre unit also boasts a phase reverse switch and a +4dBm indicator light for setting optimal mic level. The 48V phantom power is soft starting and pop-free. |
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Electro-Harmonix 12Ay7 Tube Microphone Preamp $194.7 With the Electro-Harmonix 12AY7 Tube Microphone Preamp, Electro-Harmonix offers an affordable tube micrphone preamp that won't disappoint. Equipped with a 12AY7 EH tube and a 12AU7 EH driver, it gives microphones the widest dynamic range with the warmest possible tone and accuracy. The 12AY7 Mic Pre uses an actual 200V supply instead of the "faked out" 12 or 48 volts you'd get with common models and delivers 50dB of gain into a high impedance load or 40dB gain into 600 ohms. The 12AY7 Mic Preamp's special FET current-balancing circuit allows the tubes to amplify the microphone signal to line level while eliminating noise and protecting against hum and hostile electrical environments. It has an extra TRS output for separate line control, which can be used as a splitter or an aux send for monitoring. Input connections are balanced in and out (XLR) with a 1/4" TRS balanced buffer out. The Electro-Harmonix mic pre unit also boasts a phase reverse switch and a +4dBm indicator light for setting optimal mic level. The 48V phantom power is soft starting and pop-free.Equipped with a 12AY7 EH tube and a 12AU7 EH driverWide dynamic range, warm tone, and superb accuracy200V supply delivers 50dB of gain into high load, 40dB gain into 600 ohmsFET current-balancing mic preamp circuitry eliminates noise and humTRS output for separate line control (use as a splitter or for monitoring)Balanced XLR in and out1/4" TRS balanced buffer out Phase reverse switch+4dBm indicator light for setting optimal mic level48V phantom power with soft start |
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Behringer PP400 Ultra Compact Phono Preamp $19.95 In the age of the MP3, it can be easy to forget that a turntable signal needs a little help before it reaches a mixer or home stereo if it's going to be heard. Thanks to the PP400 phono preamp, your turntable will get the boost it needs to bring your vinyl to life. Behringer PP400 Phono Preamp Features Converts your phono signal to a line level signal State-of-the-art phono preamp to accommodate magnetic pickups Ultra low-noise audio operational amplifiers offer outstanding sound performance Dedicated RCA and 1/4 in. output connectors DC 12-Volt adapter included High-quality components and exceptionally rugged construction ensure long life Conceived and designed by Behringer Germany Viva Vinyl The ultra-compact PP400 features stereo RCA inputs and outputs, as well as a 1/4 in. TRS output jack. Its incredible low-noise operation delivers sound exactly as it's read from your records by the turntable's needle. We've also included a 12 V adapter to power this awesome audio solution. Do Wonders For Your Wax Vinyl is making a huge comeback, and it's time to get your wheels spinning. Plug your turntable into the PP400, send a line out to a mixer or the AUX inputs on your home stereo, and take a spin on the freeway of retro-cool. For about the price of a couple of prerecorded CDs you can experience the high-fidelity sound of real vinyl, the medium that launched the rock and roll revolution. |
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Used Vocopro Da-5800Rx Karaoke Preamp With Reverb $253.89 The secret to truly professional-sounding vocals are DSP effects. With the DA-5800RX Karaoke Preamp from VocoPro, you can take your singing to the next level. It has a 24-bit, high-speed DSP digital chip with a 48KHz sampling rate and 55 internal effects, including several Hall, Delay, and Reverb, and Reverb + Echo styles, as well as Echo, Tremolo, Exciter, and more. Each of these effects has LPF adjustment for added control and customization for the voice. Some other features that help you optimize your sound are a Vocal tonal enhancer as well as the Sonic Enchancer. This 1 RU rackmountable preamp gives you tons of control, including microphone EQ controls for Bass, Mid level, Mid frequency, and Treble levels; individual master controls for Mic, Effects, and Music volume; Master input and output volume control; Subwoofer volume and frequency controls; and Low-Pass Filter control. The DA-5800RX processor also has and abundance of I/O, with 3 switchable L/R stereo inputs for DVD (RCA), AUX (RCA) and VOD (XLR); 3 microphone inputs (1/4"); 3 video inputs (RCA) for DVD, AUX, and VOD channels; 1 video output (RCA); unbalanced L/R XLR output and balanced L/R RCA audio pre-out; low output (RCA) for subwoofer; and center output (RCA) for vocal-only, with volume control. While there's no guarantee everyone singing will have the best voice, all of the VocoPro DA-5800RX Preamp's versatile features will help ensure the best performance possible.24-bit high-speed DSP digital chip 48KHz sampling rate 55 internal effects each with LPF adjustment for added control and customization Vocal tonal enhancer for optimal vocal quality Sonic Enhancer improves the music quality 17-Step Digital Key Control 115/230V switchable for world-wide use Full-function remote control Rackmountable, requiring only 1RU of rackspace Controls Master microphone EQ controls for Bass level, Mid level, Mid Frequency and Treble level Low Pass Filter (LPF) control Master music Balance control and bass/treble EQ controls Individual master controls for Mic, Effects, and Music volume Master input volume control Master output volume control Subwoofer Volume and Frequency controls Connections 3 switchable L/R stereo inputs for DVD (RCA), AUX (RCA) and VOD (XLR) 3 microphone inputs (1/4"), each with individual volume controls 3 video inputs (RCA) for DVD, AUX, and VOD channels 1 video output (RCA) Unbalanced L/R XLR output and Balanced L/R RCA audio pre-out Low output (RCA) for subwoofer Center output (RCA) for vocal-only, with volume control Effect list: Hall (5) Delay (24) Reverb (7) Rever + Echo (16) Chorus + Delay Chorus + Reverb Echo Tremolo Exciter |
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Takamine CTP-2 Cool Tube 2 on board tube preamp $276.75 Takamine CTP-2 Cool Tube 2 on board tube preamp The "Cool Tube" preamp introduced at the January 2004 NAMM show in Anaheim, California is the most significant development in "on-board" acoustic signal processing since Takamine presented the Acoustic DSP, the industry's first on-board "digital" acoustic guitar preamplifier in 1998. The Takamine "Cool Tube" preamp is an on-board acoustic- electric preamp that utilizes a 12AU7 dual triode vacuum tube. The "Cool Tube" packs a huge amount of features and amazing tone into a compact package that fits neatly into Takamine's "SoundChoice" docking port. This new "Cool Tube" preamp joins a range of five distinctly different preamps that are all interchangeable, giving the Takamine player several great options to fit their personal style and taste. The "Cool Tube" preamp gets its name from Takamine's unique and new technology that runs the Tube at very low voltages, therefore the tube does not glow or produce high levels of heat. The tube actually runs at only two or three degrees above ambient, so there is no concern over the delicate tone woods being affected by radiant heat. With the Takamine "Cool Tube" preamp, the playing will be hot, the tone will be warm, and the tube always remains cool. Features: Takamine players will find a most useful array of features to enhance their recording or live performance applications: A chromatic tuner available at your fingertips keeps the guitar in tune. The tuner is capable of being calibrated from A438, to A445. An LED display reveals the note being played and directs the player with illuminated arrows that show sharp and flat. The EQ section utilizes a shelving, graphic EQ, which can cut or boost bass and treble frequencies. The mid range is shaped using a semi-parametric EQ section comprised of a rotary knob used to choose the mid point of the midrange frequency. The midrange frequency can be cut or boosted with the mid slider. The range of frequency covered by the rotary knob is 200hz to 8.5Khz. The tonality of the preamp is further enhanced by the use of the rotary knob labeled "Cool Tube" With this control, the player chooses the depth of effect the tube places on the signal generated by the proven Takamine "Palathetic" pickup. With this knob the player can choose from a high degree of "CUT" for aggressive strumming; expanded "sweetness" and harmonic density with fatter lows and rounder highs; or levels of rewarding richness for finger style players. An auxiliary input jack and volume knob, which can control an additional add-on pickup of your choice. This facility can accept a magnetic sound hole pickup, or a soundboard transducer. The AUX control knob is used to blend the add-on signal with the Takamine pickup. A small switch in the back of the preamp can be used to match the varying outputs of different pickups with th |
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Preamp - Broadband Preamp Kit (Special Deal) $12.95 Preamp - Broadband Preamp Kit (Special Deal) |
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Preamp - 220 MHz Preamp Kit (Special Deal) $9.75 Preamp - 220 MHz Preamp Kit (Special Deal) |
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Audio Buddy Preamp $98.94 Audio Buddy Preamp Audio Buddy Preamp |
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Phonic A6400 Microphone Preamp $162.89 Phonic A6400 Microphone Preamp |
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Nady PRA-8 Mic Preamp $109.99 Nady PRA-8 Mic Preamp |
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RME QuadMic Preamp $649 RME QuadMic Preamp |
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Fishman Powerchip Preamp $89.95 Fishman Powerchip Preamp |
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Pioneer AVIC-N2 In-Dash DVD Multimedia AV Navigation Receiver
Sale Price: $550.00  |
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200-Watt CD Receiver with Detachable Faceplate-BX5472
List Price: |
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Pioneer DEH-1300MP CD Receiver with MP3/WMA Playback and Remote Control
List Price: |
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Dual XD5250 In-Dash CD/CD-RW Car Stereo Receiver with Remote and Front Panel USB Charging Port and Aux Input
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Boss BV7320 In-Dash 3.2-Inch DVD/MP3/CD Widescreen Receiver with USB (Detachable Front Panel)
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Dual XDM7615 AM/FM/CD Motor,4x50W, MP3, WMA, c3.5 Input, F/R/S, Remote, SWI
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Rane SL 3 for Serato Scratch Live
Audio mixers to mix different sounds and enhancing sound effects
Sound mixers, also called as sound boards or sound consoles are the most general type of audio equipment in the audio production world. Each sound operator should know about the different sound mixers available and the correct way to use them. A sound mixer take two and even more signals, merges them together and offers more than one output signal. In addition to mixing signals, sound mixers enable to adjust levels, improve sound with effects and equalization, make monitor feeds as well as record various mixes.
Mixers are available in wide variety of designs and sizes from massive studio consoles to little portable units. Mixers are generally described through the total number of channels they sport. For instance, a 12-channel mixer includes 12 input channels. That is you can put in 12 individual input sources. You may also notice a specification like “24x4x2” that signifies 24 input channels, four subgroups and 2 output channels.
The mixers accessible are perfect for project as well as home studios or also on stage and in the recording studios. Many of the mixers present incredibly low-noise along with separate mic pre THD and are proficient enough to handle sound inputs varying from whisper to scream or even can easily handle hot line level signals devoid of any extra coloration. Some mixers provides a control room or phones source matrix, tape outputs, Master aux section along with EFX, a high volume headphone amplifier as well as balanced TRS and XLR outputs.
The most amazing aspect of audio mixers is that instead of unsealed, cheap potentiometers, many of audio mixers include co-molded pots that provide substantial impact relief and strain. A majority of the audio mixers available are the perfect pick for any type of situation that needs superior audio mixing, particularly where budget or/and space constraints are a problem. The audio mixers are beneficial for all kinds of recording purposes, including mixing the line output of more than one instrument amps in one mixer channel.
What makes the audio mixers an essential part of the audio recording equipment are its various exclusive features that almost each mixer possess. Ultra low noise mixer along with highest headroom, 4 precision engineered XDR premium studio grade mic preamps, 14 line input, constant loudness pan pots, 3 band active EO of 2.5 kHz, 80 kHz and 12 kHz, phantom power for the premium condenser mics and in built power supply are few of the features of audio mixers.
Few audio mixers also sports planet earth switching power supply for the global use, separate 48v phantom power-switches at all mic inputs and 60 mm logarithmic tape faders for linear, smooth fades.
About the Author
Michael Russell, the writer has a thorough knowledge about audio recording equipment. To get details about other studio recording equipment visit the website http://www.dragonaudio.com.
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