Digital Recording System
October 14th, 2009
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LP-to-Digital Recording System with USB |  |
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US $125.00 | 22d 20h 14m |
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NEW OPENED BOX Audio Technica AT-LP2D LP to Digital Recording System | |
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US $75.65 | 20d 17h 37m |
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STANTON t.92USB, USB LP-digital recording system NEW! | |
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US $429.99 | 11d 19h 15m |
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NEW Audio Technica ATLP60USB LP to Digital Recording DJ Turntable System NN SG | |
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US $79.00 | 1d 21h |
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NEW AUDIO-TECHNICA AT-LP60-USB LP-TO DIGITAL-RECORDING SYSTEM WITH USB | |
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US $144.82 | 7d 19h 24m |
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Audio Technica ATLP60USB LP to Digital Recording DJ Turntable System | |
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US $149.99 | 25d 15h 41m |
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Digital Recording System
What is the guy behind the glass panel in a recording studio called?
In a recording studio, there's a glass panel. On one side, it's the vocalist or the band that's recoding their stuff. On the other side, its the people who adjust the sound systems and does the digital stuff. What is that guy called?
Audio Engineer (which usually records and mixes)
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LP-to-Digital Recording System with USB | |
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US $125.00 | 22d 20h 14m |
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NEW OPENED BOX Audio Technica AT-LP2D LP to Digital Recording System | |
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US $75.65 | 20d 17h 37m |
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STANTON t.92USB, USB LP-digital recording system NEW! | |
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US $429.99 | 11d 19h 15m |
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NEW Audio Technica ATLP60USB LP to Digital Recording DJ Turntable System NN SG | |
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US $79.00 | 1d 21h |
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NEW AUDIO-TECHNICA AT-LP60-USB LP-TO DIGITAL-RECORDING SYSTEM WITH USB | |
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US $144.82 | 7d 19h 24m |
| Powered by phpBay Pro |
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Audio Technica ATLP60USB LP to Digital Recording DJ Turntable System | |
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US $149.99 | 25d 15h 41m |
| Powered by phpBay Pro |
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M-Audio Delta 66 Digital Recording System $189 M-Audio Delta 66 Digital Recording System |
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GeoSafari Digital Recording Lab $39.95 The Digital Recording Lab opens the door to the circuitry of sound. This unique, versatile design lets students build 59 different electronic circuit projects on just one console! You can record sounds and play them back, change your voice to sound like a monster or a robot, set an alarm clock and a security system. The spring coil construction means no tools or soldering required. Step by step directions and diagrams make advanced electronic concepts a snap! |
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Quick Guide to Digital Audio Recording $18.68 All modern music recordings use digital audio technology. Now everyone with a computer can produce CDquality recordings and this book shows you how. Written in a clear and straightforward style, it explains what digital audio recording is, how to use it, the equipment you need, what sort of software is available, and how to achieve professional results. It explains: What computer system you need. Sound and digital audio essentials What to look for in a sound card Recording techniques How to use virtual instruments How to edit and create loops What effects to use The art of mixing Computerbased recording is the future of music and this book shows how you can join the revolution now. Author: Waugh, Ian Series Title: Quick Guides Binding Type: Paperback Number of Pages: 60 Publication Date: 2000/11/07 Language: English Dimensions: 8.28 x 5.88 x 0.21 inches |
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RECORDING-ARTIST-300 Professional Recording Karaoke System $1299 1 DA-1050 PRO Professional 6 Mic Mixer/ 1 CDR-1000 PRO Professional CD Recorder/Player/ 1 DVX-880 Digital Karaoke Player/ 1 RC-6 Carpet Road Case/ 1 Pair PV-420 Powered Vocal Speakers/ 1 Pair SS-88 Speaker Stands/ 2 MARK-CV1 Professional Mics/ 1 AVC-800 Automatic Volume Control with Sonic Enhancer / 1 STUDIO-C1 Professional Mic Package including SM-C1 Suspension Shock Mount, & MP-43 Boom Mic Stand DA-1050 Pro has the latest features both professional and the home karaoke enthusiast demands. Six microphone inputs with three volume controls allows up to six people singing at the same time. The professional digital echo with digital delay and repeat controls helps the singer sound great! The duel seven band stereo equalizer allows for the precise room tuning of the music. The three band parametric equalizer for the microphones feature sweep mid-range control to lift particular characteristics of the vocal or suppress for feedback elimination. The VocoPro Da-1050 Pro is your ultimate choice for great karaoke entertainment made of professional quality with an entry level price tag. The CDR-1000 PRO is a Stand-Alone CD burner, designed for quick burning of music and vocals on the road or on stage and it does not even require a computer. Our newest addition to the DivX series, the DVX-880 PRO, is a more advanced design with front panel accessible Digital Key Controller and track programmability, 2 Microphone Inputs with individual Volume controls, SCART and VGA outputs, and of course our famous Echo effect. The PV-420 System is an excellent expansion pack for midsize venues from Karaoke clubs to smaller dancehalls. Setting up couldn't be easier with only two simple connections to make and recessed carrying handles make transporting them quick and easy. So bring an end to having to pass up those bigger gigs and start expanding your sound with PV-420 Series Powered Vocal Speakers! If you have never used a condenser microphone for singing before, you’re probably not aware of the enormous difference they can make to how well a singer sounds on stage as well as in the studio. This is so due to the fact that condenser microphones have a wider and more uniform frequency response range than conventional dynamic microphones. This is why most all professionals who sing or operate recording studios exclusively use condenser-type microphones…for their unparalleled performance. Because condenser microphones need additional external power in order to work, a mixer with phantom power was usually needed in order to use them. Unfortunately, phantom power is a feature rarely found in consumer to semi-pro mixers, so most of the time dynamic microphones had to be used instead. Well, that is all changed now! Our new Mark-CV1 Condenser microphone was designed specifically for the Karaoke community, and furthermore to compliment our line of Karaoke mixers, so we have taken the need for phantom power away! By utilizing a high quality condenser cartridge that is batte |
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Hoyt Technologies Complete Helmet Camera Recording System $599.98 Hoyt Technologies Complete Helmet Camera Recording SystemThe new HCR-100X is the latest in digital helmet cam technology. The HCR-100X is a complete, rugged and compact, high resolution camera and recorder system. The 13quot CCD image sensor provides |
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JamHub TourBus 7-Section System with Recording $699.99 The 7-section, 21-channel JamHub TourBus system mixes ampified instruments and vocals and puts out the sound through headphones for quiet practice sessions. With inputs for 7 players, one SoleMix remote, and a USB audio out for digital recording, the JamHub TourBus makes silent rehearsal possible anytime and anywhere. JamHub TourBus offers 21 audio channels for up to 7 musicians and their instruments, mics, and headphones. JamHub TourBus also has two SoleMix remotes plus a built-in recorder. Each section offers a stereo TRS and XLR mic input, FX return level, and headphone volume control. The TourBus records WAV files, which don't compress audio like MP3s, ensuring quality recordings. JamHubs were created to give musicians the freedom to jam all they want, wherever they want. When you're jamming, JamHub TourBus keeps it virtually silent to the outside worldneighbors can't hear it; parents can't hear it; cops can't hear it. But for everyone in the band, the experience rocks. Each musician controls an individual mix. Just pick a color section and plug in your instruments, mics, and headphones. You'll hear yourself with amazing new clarityno more volume wars. Hear your playing improve faster.21 audio channels for up to 7 musicians7 XLR and 7 TRS input jacksSoleMix controls for each section so everyone creates their own mix4 SoleMix remote jacks (2 remotes included)1-R switch for quickly listening to recording mixR section for connecting to MP3 or recordingBuilt-in 24-bit stereo effects including reverb, delay and modulationStage control gives each player virtual stage location in rehearsal studioPhantom power (+48V)USB out for direct recording to computerBuilt-in recording to SD RAM cardMetronome built into recording system |
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Jamhub Tourbus 7-Section System With Recording $699.99 The 7-section, 21-channel JamHub TourBus system mixes ampified instruments and vocals and puts out the sound through headphones for quiet practice sessions. With inputs for 7 players, one SoleMix remote, and a USB audio out for digital recording, the JamHub TourBus makes silent rehearsal possible anytime and anywhere. JamHub TourBus offers 21 audio channels for up to 7 musicians and their instruments, mics, and headphones. JamHub TourBus also has two SoleMix remotes plus a built-in recorder. Each section offers a stereo TRS and XLR mic input, FX return level, and headphone volume control. The TourBus records WAV files, which don't compress audio like MP3s, ensuring quality recordings. JamHubs were created to give musicians the freedom to jam all they want, wherever they want. When you're jamming, JamHub TourBus keeps it virtually silent to the outside worldneighbors can't hear it; parents can't hear it; cops can't hear it. But for everyone in the band, the experience rocks. Each musician controls an individual mix. Just pick a color section and plug in your instruments, mics, and headphones. You'll hear yourself with amazing new clarityno more volume wars. Hear your playing improve faster.21 audio channels for up to 7 musicians7 XLR and 7 TRS input jacksSoleMix controls for each section so everyone creates their own mix4 SoleMix remote jacks (2 remotes included)1-R switch for quickly listening to recording mixR section for connecting to MP3 or recordingBuilt-in 24-bit stereo effects including reverb, delay and modulationStage control gives each player virtual stage location in rehearsal studioPhantom power (+48V)USB out for direct recording to computerBuilt-in recording to SD RAM cardMetronome built into recording system |
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8500 -8PRE Firewire Recording System $549 Turn your computer into a powerful digital audio workstation with eight mic inputs. Or add eight high-quality mic/instrument inputs to your current system. The 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other Motu FireWire audio interfaces. The 8pre as your primary audio interfaceUse the included CueMix software to mix all 16 inputs from your computer. Eight channels of ADAT optical I/O make the 8pre an ideal companion for a digital mixer. Two ADAT lightpipe connections work together to support a full 8 channels of optical digital I/O at any sample rate up to 96kHz. Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Then monitor all of these live inputs via the 8pre’s main outs or headphone jack — with virtually no monitoring latency and no processor drain on your computer. You can even create separate monitor mixes for the main outs and headphones. Control everything, including talk-back and listen-back, from the included CueMix Console software, just like a large studio console. The 8pre includes a 16-channel MIDI interface. Simply plug in your FireWire cable, and both MIDI and audio are ready to go. Connect any MIDI device, such as a controller keyboard, synth module, automated control surface or drum machine. Timing is sample-accurate with supporting software. The 8pre provides cross-platform compatibility with Mac OS X 10.3 or higher, Windows XP and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac OS, with 24-bit recording/editing and 32-bit mixing/processing/mastering. The 8pre as a microphone preamp expansion interfaceThe 8pre is really two products in one. When it is not connected to a computer via FireWire, the 8pre functions as an eight-channel analog to digital (optical) converter. Connect the 8pre to your MOTU 828, 896, Traveler or even another 8pre via the optical “lightpipe” connection to add eight high-quality microphone pre-amps to your system. Since the connection is digital, 100% pristine sound is maintained, down to the very last sample.The 8pre is the perfect way to instantly add eight more mic inputs to any audio interface or digital mixer with optical I/O. If you have a MOTU interface with on-board CueMix DSP mixing, such as the 828mkII, 896HD or Traveler, the 8pre inputs appear directly in the host interface's CueMix mixer to becomes a transparent extension of your system, operating together with your primary interface as a single, integrated unit — even when the host interface is not connected to a computer and is instead operating as |
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Vocopro Recording Artist-300 Karaoke Recording Systems $1299 Vocopro Recording Artist-300 Karaoke Recording Systems Imagine a professional recording system with superior sound quality that is extremely affordable and easy to operate. Whether you are recording your demo CD for record deals or just for fun, VocoPro's Recording Artist Series has you covered. They range from a full-blown, club-ready 500W recording studio system to a stand-alone Professional CD Recorder and player*. Each Recording Series system includes a CDR-1000 PRO which lets you record live performances directly onto CD without a computer and play in standard CD players. Features: 1 DA-1055 PRO Professional 6 Mic Mixer 1 CDR-1000 PRO Professional Single Space CD Recorder/Player 1 DVX-880 Digital Karaoke Player 1 RC-6 Carpet Road Case w/Casters 1 Pair PV-420 Powered Vocal Speakers 1 Pair SS-88 Speaker Stands 2 MARK-CV1 Professional Microphones Shipping Weight: (6) Boxes totalling 165 lbs Get Your Vocopro Recording Artist-300 Karaoke Recording Systems Today! |
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The Ultimate Black Box Mobile Digital Video Recording System $183.94 The ultimate in video recording technology, the UBB-4Q Mobile DVR system provides around-the-clock video surveillance recording for your vehicle. These recordings may be used in court to show proof of any event that took place such as: accidents, theft, vandalism or car jacking.Application:Fleet management companies (Taxis, buses, trucks, etc)Emergency vehicles (Police, fire, paramedics, etc)Rental car companiesDriving centers and driving instructorsMotor insurances companiesCar importers and dealersVehicle ownersThe UBB-4Q is a vehicle "black box" DVR system that can support up to four different cameras for simultaneous recording around the vehicle. The system has four different trigger inputs (Ignition, reverse, dome light and turn signal) to activate the recording. The cameras are activated depending on the zone that is triggered at the time of the event. The ignition trigger is the primary trigger, the reverse and turn signal are second and third. The dome light and turn signal trigger can be integrated with any aftermarket alarm system so that if the vehicle is tampered with or broken into, the DVR will instantly pick up and start recording to catch the thief in the act. The system also includes a microphone input to allow audio recording of the events as well.The UBB-4Q records all events and allows the user to review them at the same time. The system has the ability to split the screen into four different quadrants to view all recordings on all triggers at the time the event took place, whether it was a car accident or a break-in. All recordings are saved on an SD card that the unit holds which can be removed for viewing. A built-in clock allows the system to give real-time accurate recordings of any event that took place.A full functional remote is included to cycle through the system if you are viewing the recordings from a monitor in your vehicle or if you want to change any of the unit's internal settings such as recording times, time change, or SD card setup. |
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Davis Police Car Recording System Does Not Work
Everything you Need to Start and Operate a Digital Record Label
Anyone who has an interest in music -- particularly an interest or specialty in a particular area of music -- is now sitting on a potential gold mine.
Before I discuss the enormous advantages of running your own digital label -- I'd like to make a comparison with anyone starting a physical label ten years ago. Firstly, a minimum investment of $350,000 would have got you started by renting a office sufficient to hold yourself plus a secretary, an a&r manager, a talent scout, a plugger/ promoter, and a receptionist. You would also need a copyright and royalty manager.
Your next task would have been to acquire good commercial recordings - with emphasis being on the word "commercial". Finding recordings was one thing, (as is the case today), finding good commercial product is something else. Unless you were able to acquire ready made masters under license from a third party, you would have had to pay for your artists to record the masters yourself. In addition to hiring the recording studio, you would also have had to pay a producer - plus a recording engineer (although the engineer's costs were usually included with the studio hire) - thus eating further into your $350,000 budget.
Assuming you could had got your team working nicely together- and sales from your first album had skyrocketed around the world, eighty percent of your income would have been taken up in overheads through royalty payments to the artist, producer and the music publisher (mechanical license). Then, there would have been your general overheads: salaries, expenses, office rent and so on. But we're getting ahead of ourselves. before selling any records you would have needed a reliable manufacturer and an effective distributor to create and disperse your cds, (and maybe some dvds to promote the records), to the shops. This, however, is where it gets tough. Distributors, ever mindful of retailers reluctant to provide shelf space to unknown artists, (i.e. artists yet to achieve a playlist position on radio), would refuse to represent you (the label). Not surprising when, given the choice, retailers could choose from any of the big selling artists such as Nickelback, Beyonce, Pussycat Dolls, Justin Timberlake, James Blunt etc against the poor new artist. So, you with your new label and new artists, would be forced to plough more money to promote your record, in the hope of getting on the playlist - and thereby securing that elusive distribution deal. At this stage you would be wondering why you had started a label in the first place.
So, what enormous monstrosity of a thing happened in the music industry to change the old physical method of selling records? Enter, the golden dawn of digital music. Now, suddenly every artist, songwriter, producer, engineer and, even manager who once had a notion of starting his/her own physical label but didn't have a $350,000 budget -- is able to start and operate his/her own digital label for about the price of a new laptop.
For the first time,individuals have a great opportunity of developing their own label from zero up - and making a very healthy living. Unlike the older physical system of starting and operating a label -- with all the huge overheads -- the digital label operator can start a catalog and build it at his own pace without the need to employ several individuals. You can begin with just two tracks - concentrating on your niche in the music industry, testing and probing the markets as you go along. Measure that against a physical label spending wads of money hoping their records chart. Failure to chart would often spell disaster for many a physical independent and domestic label - leaving only the majors to compete. Not so for a digital label. If a particular recording doesn't sell -- you simply delete it from your site. Updating your catalog can be done in minutes. Some digital labels regularly update their catalog every few days. A digital label, too, doesn't require the staff and individuals required of its physical counterpart.
If you're not an artist yourself -- but someone who is drawn to a special style or genre -- or just someone interested in music in general -- here's what you can do to start your digital label: Firstly, you'll need a good web host. Basic as this sounds, some people go with an outfit they think is good then, six months later they vanish into cyber space -- leaving you and your site high and dry. So, please do homework before opening a web host account. I personally use Ipowerweb but it's very much a matter of choice who you go with. Do check out on the internet first. Look to see if any of the hosts you're interested in have independent reviews. Once your web host is confirmed, you should get a confirmation email from your host confirming your space is ready so that you can move forward and publish your site.
Some people are very creative and skillful in being able to create their own web site. Others, like me, are not. I was contemplating having someone design my web site for me when, by chance, I came across a web design system called Xsitepro, but there are many to choose from. As with the web host, look for independent reviews before making a decision.
Next, make sure you have an up to date digital contract - one you can offer artists (or the owner of the masters). If you're not an artist yourself, you can enter into a license deal with any artist or production company willing to have you promotes and sell his/her product.
By knowing a particular field or style of music well, will help you no end build your catalog faster than if you're someone learning as he/she goes along. However, enthusiasm will go along way. What you need to do when you start off is to ask yourself this question -- "Why would an artist license his/her rights to me and not someone else?"
Firstly, to have an artist (or production company) freely license his rights to you - you need to convince him/her that you have a powerful distribution system. Unlike physical labels, with a web site, you have the ability to create your own "built in distribution system". Having a digital distribution account is an excellent idea - but you will still need to promote your product if you want to draw large numbers to your site. Having an online magazine, newsletter or blog is one of the best ways of attracting a high reading audience. Ten thousand plus is a good target to work toward. This will help you pick up more recordings from artists looking for a site attracting thousands of hits - assuming of course artist's genre works well with your label. There are some excellent publishers, blogs and newsletters hungry for good topical articles, presenting you with another outlet. Keep your articles fresh and original, and your audience will grow steadily with each article.
Since distribution is the key to your success - this is where you need to concentrate if you want your label to expand and prosper. Obviously, if your newsletter or e-magazine readership is increasing, it's because people are enjoying the articles and information you're publishing - and more people will want to buy your product. A healthy situation all round.
Now, a note on your digital agreement, you can use a contract repeatedly for different artists. I would recommend you acquire rights on-exclusively. Keep in mind that a contract may need to be updated from time to time as new copyright laws come into effect to deal with technological changes. As a rule of thumb you can check back every six months to see if your contract needs updating.
Next, ensure you have a terms and conditions policy on your site. Anyone starting off a digital label, should have a general list of conditions, setting out criteria for accepting product online, together with a privacy policy.
Next, you'll need a strong accounting system. No matter how effective you are selling product online - if you're not accounting to your artists accurately and to the letter of your contract - you're dead in the water. In my view there is nothing worse than a company with a bad reputation for paying royalties. For me, trust and reputation is everything.
Work closely and be up front with the artists who put their faith and trust in you. Your good reputation and name will spread.
About the Author
Dennis Sinnott is a music consultant in the entertainment industry. He was formerly Head Of Copyright at EMI Music in London. In 1983 he formed Christel Music Ltd and in 2007 MusicEnquiries.com to provide a music consultancy service for songwriters, artists, publishers, managers and record companies. In 1995 he published - THE INTERNATIONAL SONGWRITER, and in 2006 - SEVEN KEYS TO STARDOM dennis@musicenquiries.com
http://www.MusicEnquiries.com
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